Back in 2008, Facebook was just four years old, Twitter was just two years old, and the iphone had just been released. Instagram had not yet been invented. A decade is a long time in internet years, and yet one online photography magazine launched into this unpromising landscape has survived and thrived – 1000 Words. Set up and still run by editor-in-chief, Tim Clark, it includes long-form essays, interviews, and reviews, and has included contributors such as David Campany, Susan Bright, Gerry Badger, Charlotte Cotton, Wolfgang Tillmans, Adam Broomberg and Oliver Chanarin, Vanessa Winship and Lieko Shiga. Now, to celebrate its 10th anniversary, Clark is publishing a special print edition, 1000 Words 10 Years, designed by respected photography and art specialist Sarah Boris and featuring newly-commissioned content. The annual will be 200 pages long, and will feature 10 portfolios from influential artists such as Jose Pedro Cortes, Laia Abril, Edmund Clark, and Esther Teichmann, as well as a series of photo-centric city guides, profiles on curators and collectors, opinion pieces on the art of photobook publishing, and reflections on a decade’s changes in photography. It will also include a selection of memorable and talked-about articles from the 1000 Words back catalogue.
Collaborations form a big part of some of the year’s most notable works. We have Rick Pushinsky teaming up with his dad, a keen amateur chef, to put together a collection of recipe cards inspired by the family’s Jewish heritage that are as satisfying and experiential on the eye as they are on the tummy. Elsewhere we have the mischievous pairing of Erik Kessels and Thomas Mailaender who, with Photo Pleasure Palace, brought a tremendous sense of fun to this year’s Unseen Amsterdam photo fair. A fun fair-like atmosphere featuring installations like a Smash Gallery and a Toilet Obscura, this collaboration used a tongue-in-cheek playfulness and spontaneity to make one of our favourite photographic events of the year. From photographic fun fairs to fashion shoots, the unlikely collaboration of conceptual photographer Barbara Probst and luxury fashion brand Marni really struck a chord. By encouraging the models in the brand’s Spring/Summer 2017 shoot to take their own photographs in a very active manner under her watchful eye, Probst sought to recalibrate the balance of power that so …
“I hate myself because I am a murderer… You can’t save me… We are a faceless, forgotten part of society…” These are just some of the intimate, often devastating thoughts of the inmates at HMP Grendon, a category B men’s facility in Buckinghamshire and Europe’s only “wholly therapeutic” prison. Their words accompany My Shadow’s Reflection, a series informed by Edmund Clark’s artist-in-residence at Grendon, which forms part of his larger body of work, In Place of Hate, on show at Ikon Gallery in Birmingham from 06 December.
With less than two weeks left to enter the IPA 2018, BJP looks at what past winners of the Award did next
This October photographers have taken over the popular Art on a Postcard fundraiser run by The Hepatistis C Trust. Over 1000 unique works will be available for £50, with big names such as Jim Goldberg, Martin Parr and Wolfgang Tillmans joining in alongside less-familiar talents. In total 1200 lottery tickets will be available, with the postcards assigned at random to ticket-holders on 30 October. The images will go on show at theprintspace, Shoreditch from 12-24 October, with a private view on 12 October; in addition all the images, and a full list of the participating image-makers can also be seen at www.artonapostcard.com/photo-postcard/ Tickets are bought online at www.artonapostcard.com/shop/ and all money raised will go to The Hepatitis C Trust’s campaign to eliminate hepatitis C from the UK by 2030.
How can art contribute to our understanding of justice in a time of global conflict? Award-winning photographer Edmund Clark considered the question with former Guantanamo detainee Moazzam Begg and human rights lawyer Cori Crider at the IWM London – home to his ongoing show, War of Terror
Uncensored books is a comprehensive look at publications that consider the uses and abuses of the image in our society – especially by those in power, which is going on show in Palermo, Sicily today as part of a wider book festival
Crofton Black and Edmund Clark’s Negative Publicity, a study of the global “extraordinary renditions” programme led by the United States as part of the War on Terror, has won the Rencontres d’Arles 2016 Photo-Text Book Award.
Our impression of war is shaped by images of soldiers on patrol or in combat. Actually, points out photographer Edmund Clark, the vast majority of the 40,000 people who were stationed at Bagram Airfield – America’s largest enclave in Afghanistan – never left it. Protected, but also confined, by perimeter walls that are secured by daily patrols, they lived in mess halls, meeting rooms, sleeping quarters, a supermarket and a gym. Their experience of Afghanistan is restricted to the landscape they can see over the walls, images of the country on murals in the meeting rooms and paintings in the dining facility, a weekly bazaar and 7000 security-screened local workers who provide cooking and cleaning services. Some of the personnel may also meet locals in the Parwan Detention Facility, the on-site jail whose treatment of prisoners has attracted Amnesty International’s attention. Insurgents based in the mountains also sporadically take pot-shots at the camp, launching rudimentary missiles that may or may not go off. Clark has previously shot the Guantanamo Bay Naval Base and a British control …