Female in Focus is a new award that seeks to elevate exceptional work by female-identifying photographers.Throughout the submission period, we are speaking to photographers whose work encompasses the values that lie at the heart of the award. Pixy Liao’s work sheds light on traditional gender roles, asking us to question their place in society, and in particular, heterosexual relationships. “Our society has all kinds of expectations of us depending on our gender,” says Pixy Liao. “I’m interested in exploring who people would be if they didn’t have these expectations placed on them.” Liao has been shooting her series Experimental Relationship over the last 10 years. In the series of playful images, she subverts the traditional gender roles that lay the foundations of many heterosexual relationships, asking us to re-examine what is considered to be normal. Liao’s life and work are inexplicably intertwined, and Experimental Relationship is constantly evolving with her relationship. Drawing on life with her boyfriend Moro, who is five years her junior, Liao celebrates and examines their sex, gender and power dynamics. “The …
BJP’s annual Cool + Noteworthy issue is back, presenting the people, places and projects that have caught our eye over the past year.
Among this year’s noteworthies is the photographer behind our cover story, Tyler Mitchell, who became the first black cover photographer of American Vogue when he shot Beyoncé for the September 2018 issue. He tells the BJP about his new-found mission since returning home after living in London: “I realised I have a responsibility to be, specifically, a black American photographer and filmmaker.”
We also spotlight Kensuke Koike, a Japanese collagist who gives new life to old photo albums. Koike has attracted a loyal following on Instagram with his savvy cut-and-move videos, making his latest book one of the most anticipated on 2018. Feng Li is another newcomer who has made waves in fashion photography over the past year. This issue we feature Li’s playful fashion shoot in his native Chengdu, a creative city on the rise in China.
Chinese photographer Lei Lei has won the Jimei x Arles Discovery Award, giving him 200,000 RMB plus a spot in Arles’ prestigious Discovery Award exhibition and competition next summer. Born in 1985 and now living in Beijing and Los Angeles, the photographer won with the project Weekend, which uses archive images to consider history, nostalgia, and personal identity. Lei Lei’s previous projects include Hand-coloured, a joint series with French artist Thomas Sauvin which also features archive images, and which was exhibited at the Festival Images Vevey and previously published on bjp-online in December 2017.
Lei Lei was picked out from the 10 photographers shortlisted for the Discovery Award, all of whose work is currently on show in Citizen Square in Jimei, South East China. The other photographers included by the curators Dong Bingfeng, Li Jie, Chelsea Qianxi Liu, Holly Roussell and Wang Yan were: Coca Dai (1976), Hu Wei (1989), Pixy Liao (1979), Lau Wai (1982), Shao Ruilu (1993), Shen Wei (1977), Su Jiehao (1988), Wong Wingsang (1990), and Yang Wenbin (1996).
Last year, after 10 years of creating hundreds of images for a project about her relationship, Pixy Liao decided it was finally time to create a book. “I’m not a very productive photographer, so I always felt like I didn’t have enough images” she says, “but ten years felt like the right time”.
As a woman brought up in China, Liao always thought she would end up with an older man who would look after her and protect her. But while studying for an MFA in photography in Memphis, Tennessee, she met Moro, a Japanese musician five years her junior. Being with Moro challenged her own views on how a man or woman should behave in a heterosexual relationship, and so she began to explore this through photography with a project titled Experimental Relationship.
Out of nearly 1000 submissions, the winners for this years Paris Photo/Aperture Foundation Photobook Awards, established in 2012 to celebrate the photobook’s contribution to the narrative of photography, have been announced at Paris Photo.
The Photobook of the Year award went to Laia Abril, for part one of her long-term project, A History of Misogyny, Chapter One: On Abortion (Dewi Lewis). The project is not about the experience of abortion itself, but about the repercussions for women who do not have access to legal, safe or free abortions, forcing them to consider dangerous alternatives that cause physical and mental harm.