The winners were announced during Berlin Photo Week in Germany (10 – 14 October) where all 100 finalists were exhibited in Supermarkt, a repurposed supermarket and exhibition space. Pachnanda received a trip to Berlin for the event, as well as a Sony Alpha camera. As part of the award, Pachnanda will act as the EyeEm ambassador during 2019. Much of his work centres on bold portraits of unusual people, often in urban areas of London. On receiving the Photographer of the Year title, Pachnanda said, “winning an award with so much calibre from an organisation so pivotal to the world of 21st century photography is amazing”. The EyeEm Awards, run by global community and marketplace for photography EyeEm, currently stands as the world’s largest photography competition. This year marked its fifth edition, and it welcomed a record 700,000 entries from 100,000 photographers, hailing from more than 150 countries across the globe. Covering nine diverse categories – ranging from ‘The Creative’ to ‘The Great Outdoors’ – the award attracts a huge breadth of subject matter. This …
In 2015, when Poland’s most radical right-wing organisation, the Law and Justice (PiS) party, won the general election with a sweeping majority, photographer Joanna Wzorek and her liberal parents were shocked. Policies against immigration, same-sex marriage, and abortion just a few of the controversial views now channelled by Poland’s ruling party.
“Me and my parents felt deeply disrespected by the other side of our family, who voted right-wing,” says Wzorek, a Polish-born photographer who graduated from UAL last year with a degree in fashion photography. “I knew then I had to try and make something positive out of the negative nationalist standpoint that had dispersed within my country,” she explains.
It was while working as an art director that rising talent Justine Tjallinks decided she wanted to make her own images. Born in a small village in the east of the Netherlands, the 32-year-old moved to the Dutch capital to study at the Amsterdam Fashion Institute before immersing herself in the commercial world, working on several leading fashion publications.
It can be tough breaking into an industry known for its dog-eat-dog reputation, but a good attitude goes a long way – as long as its accompanied by talent. Based between Exeter and London, 22-year-old photographer Harry Cooke is taking on the fashion world with an open spirit, a sharp eye, and a pinch of salt. “The fashion industry is a weird one – I am always hearing stories of bad experiences,” says the Arts University Bournemouth graduate. “But I always think the concepts, teams and shoots that I put together are relaxed and fun. Taking life too seriously is a dangerous thing, and that’s what I aim to bring to the world of fashion. Goodbye seriousness!”
Katie Burdon’s ethereal fashion images make no secret of a childhood spent outside in the English countryside. A Cornish native, the 20-year-old first began taking photographs when she was 14, using her friends as models and the picturesque fields, woods, and seaside of her surroundings as her backdrop. Now a graduate of the University of Bournemouth, her practice has evolved into an intimate and considered portrayal of femininity through fashion photography. With a rich yet hazy 1970s-inspired palette and surreal undertones, Burdon’s photographs are elegant in their composition, yet still capture something of the raw and playful nature of youth. Determined to counteract the impossible beauty standards of the imagery she grew up with, the young photographer prefers being real and “celebrating women”, choosing models with big personalities.
A major retrospective of Hans Eijkelboom’s work is on show at The Hague Museum of Photography until 07 January 2018, including his well-known series of shoppers and his more conceptual work.
“If you’ve been to Morocco I think you’ll understand that we’re a very colourful country, a colourful people. We see every colour being worn. In Morocco that there is the clash of colours and an attitude not to be scared of colours,” says Hassan Hajjaj. His latest exhibition, La Caravane, is about to launch at Somerset House, the first display for the British-Moroccan photographer in London in seven years. His work reflects on identity and culture, which has featured as a big part of his life and work since moving to the UK from a small port town in Morocco aged just 13.
“As an audience, you’re hanging from her chandelier. She’s saying things will change and get better but at the same time you’re able to decide what you look at. You do listen to her words of sadness and regret but from being in her room, you can decide what to make of it,” says Natasha Caruana ahead of her interactive exhibition being featured in the House Biennial in Brighton at the end of the month. Inspired by the theme of excess, the project follows Caruana’s mother, Penny, who lives her life in extremes: designer fashion brands are a must, hours are spent scrolling through dating apps, 50 pills a day keep her alive. But on the edges of this, are we happier and what are the social implications on are communities and are health services?
“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.
“Music is a language for all humans; it gets under your skin and brings out and expresses strong emotions,” says Emily Stein, whose latest commission took her to a primary school in North London, where she photographed young children for Stella McCartney’s Kid’s fashion range