Now in its second year, the PHmuseum Women Photographer Grant has a simple premise – to recognise and award world-class photographers, who also happen to be women. Judged this year by a prestigious panel including Magnum photographer Alessandra Sanguinetti and The Photographers’ Gallery senior curator Karen McQuaid, the Grant has two main sections – The Women Photographer Grant and the New Generation Prize for those under 30 years of age. BJP takes a look at those who have made the shortlist.
The founder of Firecracker and Global Business Development Manager of Magnum Photos picks out her top five of 2017 – including Megan Doherty’s Instagram feed
“Between colonialism and cosmopolitism, between a sense of not belonging and their nationality, many use the word Schizophrenie to describe how it is to construct their identity in the middle of two antagonistic cultures,” explains Carolina Arantes. Her project, First Generation, follows the lives of young Afro-French women living in the Parisian suburbs as they overcome prejudices and culture clashes. It has now been awarded the 2017 Firecracker Photographic Grant, securing Arantes £2,000 to help her complete the project.
Fiona Rogers founded her online Firecracker platform to help showcase the best talent in female photography. What followed was a community of photographers all celebrating and sharing amazing work and it wasn’t long before the Firecracker grant was born. “It felt like the natural evolution was to be even more supportive. Something that went beyond showcasing work online. It started out pretty small: everybody contributed £10 to put into the pot and then we managed to flip that into a grant that was £1,000 and now it’s grown to £2,000.”
Back in February 2015, BJP flagged up Cemre Yesil as a One to Watch – and now her series For Birds’ Sake, made with Maria Sturm, has won a Prix Levallois nomination. We revisit our article on this series and her hands-on approach to photography
Diana Markosian, the Armenian-American photographer best known for her stunning revisitation of the Beslan massacre, has been awarded The Chris Hondros Fund’s first Emerging Award. “This so much more than an award for me. Chris was a friend. He supported me from the first day we met,” Markosian tells BJP. “I want to up my game and create something even more personal. I owe it to him. ” Markosian met Chris Hondros when she was a graduate student, before the photojournalist was killed alongside Tim Hetherington on 20 April 2011 while on assignment in Libya. She will receive a $5000 grant from the organisation, which will go toward her next project. “My work comes from within,” Markosian says of her developing photography career. “I am constantly searching for a moment of silence between myself and whatever it is I am photographing. It is an emotional process that transcends anything else I’ve experienced. It is ultimately an expression of myself: all of my feelings, revealed in a moment, in an image.” “There is a sensitivity and compassion to the …