Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
“Asselin’s Monsanto® is a courageous, investigative project that connects evidence-driven photography and visual research to the democratisation of knowledge; it’s important that this book exists in physical form, as a document, and not just in the virtual world,” says Cristiano Raimondi of Mathieu Asselin’s photobook Monsanto®. A Photographic Investigation. Raimondi is head of development and international projects at the New National Museum of Monaco and an invited curator for Platform 2017 at this year’s Paris Photo, but he’s speaking as a jury member for the 2017 Paris Photo-Aperture Foundation PhotoBook Awards because Asselin’s book has just won the prestigious First PhotoBook prize.
“On s’engage, on va le faire” – that is, “We’re in, we’ll do it”. The New York-based, French-Venezuelan photographer Mathieu Asselin goes back and forth from Spanish to English to French as he recalls how Sam Stourdzé, the director of the Rencontres d’Arles, enthusiastically agreed to exhibit his five-year long, research-intensive project about the US chemical corporation Monsanto. It happened a week before last year’s festival, and Asselin was then showing the dummy of his photobook, Monsanto®. A Photographic Investigation. This year the project is being shown at the Magasin Électrique at Arles, and the book has been published in French by Actes Sud, and in English by the Dortmund-based Verlag Kettler. Asselin’s project is conceived as a cautionary tale putting the spotlight on the consequences of corporate impunity, both for people and the environment. Designed by fellow countryman Ricardo Báez, a designer, curator and photobook collector who has notably worked with the Venezuelan master Paolo Gasparini, Monsanto® submerges the reader into an exposé of the corporation’s practices, whether by showing contaminated sites and the health and …
“You’ve probably never heard of Feng Li’s photography,” wrote Leo de Boisgisson in American Suburb X in March; that was true at the time, but it’s changed rapidly since September, when the Chinese artist was nominated for the prestigious Paris Photo-Aperture Foundation First Photobook award. He made the shortlist for his first publication, White Night, which was published by Jiazazhi Press in July and contains 160 images shot from 2005-2015. The title is inspired by the Bible, specifically the Book of Job and a phrase which reads “They meet with darkness in the daytime, and grope in the noonday as in the night”.
“Gentlemen, for what came ye into the wilderness? Not for conventional scholastic training; not for ranch life; not to become proficient in commercial or professional pursuits for personal gain. You came to prepare for a life of service, with the understanding that superior ability and generous purpose would be expected of you.” Located on an isolated desert ranch, east of California’s Sierra Nevada mountain range, Deep Springs is an all-male, liberal arts college founded a century ago by Lucien Lucius Nunn. The entrepreneur, who with his brother built the power station at Niagara Falls, devoted the last two decades of his life to what The New Yorker describes as “a novel form of education, an anomalous admixture of Christian mysticism, imperialist élitism, Boy Scout-like abstinence, and Progressive era learning-by-doing, with an emphasis on self-governance, leadership training, and the formation of strong character”.