The World Press Photo Foundation has announced the six talents from Asia in its ongoing 6×6 Global Talent Program. Aimed at picking out under-recognised visual story-tellers from around the world, the 6×6 programme is now on its sixth and final region in its first cycle. The photographers picked out this time are: Amira Al-Sharif, Yemen; Azin Anvar Haghighi, Iran; Saumya Khandelwal, India; Senthil Kumaran Rajendran, India; Shahria Sharmin, Bangladesh; and Yan Cong, China.
The image-makers were recommended by an international group of over 100 nominators, and selected by a jury comprised of: Ammar Abd Rabbo (Syria), photographer and journalist; NayanTara Gurung Kakshapati (Nepal), photographer and curator; Claudia Hinterseer (Netherlands), senior video producer South China Morning Post; and Kazuma Obara (Japan), photographer.
In the early 1900s, Paul Thulin’s great-grandfather settled on the coast of Maine, reminded of his homeland of Sweden. Thulin’s family has returned to Gray’s Point each summer ever since, and Thulin has been working on a project there, called Pine Tree Ballads, for over a decade. Initially inspired by his grandfather’s photographs, he hopes it has “a subtext of struggle and hope that mirrors my narrative sense of self and heritage”.
BJP: How did you first get into photography?
PT: My journey into photography started as a way to rebel against my growing contempt and frustration with the limits of language to effectively communicate. In 1996, I returned from a stressful year of studying Philosophy in a Master’s program at Syracuse University and I remember wanting to escape into the mountains to possibly join a Zen monastery. I wanted to meditate and remain silent in an effort to really just experience the world.
This desire led me to discover the writings and images of photographers Minor White, Frederick Sommer, and Emmet Gowin, as their mystical and spiritual use of photography intrigued me. Before I knew it, I borrowed a 35mm camera to try to make meaningful images of my own and I was hooked.
In the mid-1960s, a vast concrete housing estate began to rise out of a neglected marshland on the south bank of the River Thames. Headed by the Greater London Council (GLC), the scheme was seen as visionary; Thamesmead would provide a marina-esque lifestyle with plenty of greenery, and wide walkways that connected housing with schools and local amenities, all set within striking brutalist architecture. Thamesmead was to be the “town of tomorrow”.
Five years ago though, it was announced that the estate would be undergoing a huge redevelopment, and now a new book published by Here Press, titled The Town of Tomorrow: 50 years of Thamesmead, celebrates its part and present.
Born Diane Nemerov in 1923, to a wealthy family in New York, Diane Arbus started out in photography shooting fashion with her husband, Allan Arbus, working for magazines such as Glamour, Vogue, and Harper’s Bazaar. In 1956 she quit commercial photography – apparently announcing “I can’t do it anymore. I’m not going to do it anymore” during a spring shoot for Vogue – and took to the streets, documenting passersby, and studying with Lisette Model. Quickly finding her signature style, her work was shown in the New Documents exhibition at the Museum of Modern Art in 1967, which was curated by John Szarkowski and also included work by Garry Winogrand and Lee Friedlander.
Her portraits proved divisive, and has remained so – some, mostly notably Susan Sontag, judging it coldly voyeuristic, while others feel a sense of empathy. Arbus’ subjects often came from outside of her personal sphere, the circus, for example, or New York’s clubs, and she herself stated that her favourite thing was “to go where I’ve never been”. On the other hand, she could also find a sense of the unsettling in Central Park. In 1971, she took her own life.
Dawoud Bey, Jess T. Dugan, Rosalind Fox Solomon, Shahidul Alam, and Zadie Smith have been announced as the honourees of this year’s Infinity Awards, organised by The International Center of Photography (ICP) in New York.
American photographer Dawoud Bey will be presented with the Art award, Jess T. Dugan with Emerging Photographer, and Zadie Smith with Critical Writing and Research, for her piece in the New Yorker titled Deana Lawson’s Kingdom of Restored Glory. This year’s jury was composed of: Erin Barnett, director of exhibitions and collections, ICP; David Gonzalez, co-editor, Lens Blog; Kristen Joy Watts, editor of @design, Instagram; and Rhea L. Combs, curator of film and photography, National Museum of African American History and Culture.
Photo London is back at Somerset House this May for its fifth instalment, with a special exhibition of new and unseen work by this year’s Master of Photography, Stephen Shore, plus Vivian Maier, Roger Fenton, Eamonn Doyle, almost 100 galleries from 21 different countries, and a giant egg sculpture.
Known for his pioneering use of colour photography, Shore’s newest body of work will be shown for the first time in the UK at the fair, as well as a series of 60 small photographs titled Los Angeles, taken through a single day in the city in 1969. “We are honoured to present Stephen Shore as our 2019 Master of Photography,” said Photo London’s founding directors Michael Benson and Fariba Farshad. “As his recent retrospective at MOMA (New York) admirably demonstrated, Stephen is a truly pioneering photographer who has consistently pushed the boundaries of image making throughout a long and successful career.”