All posts tagged: Gender studies

Capturing the full spectrum of gender through the lens

Transgender rights and representation has steadily built momentum over recent years, with public figures like Laverne Cox, Antony Hegarty and Caitlyn Jenner bringing a broader spectrum of gender nonconformity to the public sphere. Los Angeles-based photographer Dave Naz’s work revolves around the diversity of identity, and in his recent book Genderqueer (Rare Bird), he documented communities who are “transgender, intersex, pangender, and every shade in between”. We spoke to him about the difficulties of handling such a sensitive subject and reaching out to marginalised communities. Why did you decide to make the shift from fetish photography to your recent work on pan-gender identity?  I’ve never considered myself a fetish photographer, although I have covered the subject through the years in my work. The gender identity series came about when Drew Deveaux emailed about modelling for me – he has a look that defies gender. Around this time I found models Jiz Lee and Syd Blakovich online and asked them if I could take their portraits. All three appear on the cover of my book Genderqueer: …

2016-01-13T14:32:07+01:00

Jo Spence’s iconoclastic self-portraits ridiculing outmoded gender stereotypes

‘It is essential that this important exhibition is seen by as many women as possible. To do this we need money – to make it fit to travel all over Britain. Please help and send donations to:- “The Hackney Flashers Collective” who took all the photographs and organised it.’ Written in red marker pen, the appeal appears on a poster made in 1975 by socialist-feminist collective The Hackney Flashers. With their travelling exhibitions, Jo Spence and other members created influential agitprop materials as a way of confronting social prejudices. Their black-and-white prints – of women at work in factories; female machinists hunched over sewing machines; a mother holding a saucepan over the stove and a baby on her hip – helped campaign for equal pay in the workplace and better childcare provisions. “They wanted to operate in society and not as part of the art world,” says Elena Crippa, who curated the retrospective of Jo Spence’s work at Tate Britain. Using the flash of the camera as a pun on the revealing nature of photography, The Hackney Flashers …

2019-04-05T10:52:16+01:00

BJP Staff