Photo London is back at Somerset House this May for its fifth instalment, with a special exhibition of new and unseen work by this year’s Master of Photography, Stephen Shore, plus Vivian Maier, Roger Fenton, Eamonn Doyle, almost 100 galleries from 21 different countries, and a giant egg sculpture.
Known for his pioneering use of colour photography, Shore’s newest body of work will be shown for the first time in the UK at the fair, as well as a series of 60 small photographs titled Los Angeles, taken through a single day in the city in 1969. “We are honoured to present Stephen Shore as our 2019 Master of Photography,” said Photo London’s founding directors Michael Benson and Fariba Farshad. “As his recent retrospective at MOMA (New York) admirably demonstrated, Stephen is a truly pioneering photographer who has consistently pushed the boundaries of image making throughout a long and successful career.”
BJP-online saw out 2018 by asking 13 photo-people from around the world to pick out the projects that most interested them over the past year – including The Guardian’s photo critic Sean O’Hagan, the FT Weekend Magazine’s director of photography Emma Bowkett, and BJP editorial director Simon Bainbridge
Rafal Milach, a Magnum Photos nominee and Deutsche Börse finalist, picks out three interesting projects from 2018
At 28, Zsolt Ficsór is part of this new generation, using his collective, MAMA Photobooks, to help promote local artists’ self-published work. In October Ficsór brought MAMA to Photo Book London at The Old Truman Brewery, Brick Lane, for example, while in September, he was invited to take part in the five-day Magnum workshop at the Capa Contemporary Photography Centre in Budapest. Lead by celebrated Magnum photographers Antoine d’Agata and Matt Black, this workshop was a masterclass in developing his style of urban documentary photography, he says, which stems from his fascination with “interacting with this surreal and unreal world that we are living in right here here, right now”.