What do Sophie Calle, Rineke Dijkstra, Susan Meiselas, and Hannah Starkey all have in common? They’re all on the list of 100 contemporary women photographers picked out by the UK’s Royal Photographic Society, after an open call for nominations. Over 1300 photographers were recommended to the organisation by the general public, which was slimmed down by a judging panel headed up by photographer Rut Blees Luxemburg.
The final list includes well-known names but also less recognised image-makers such as Native American artist Wendy Red Star, Moscow-based photographer Oksana Yushko, and Paola Paredes from Ecuador. Each Heroine will be awarded a Margaret Harper medal, named after the first female president of The Royal Photographic Society, and the first female professor of photography in the UK. An exhibition and accompanying publication will follow, all part of a bid to highlight women working in what is still a male-dominated industry.
“Although it was a truly challenging exercise having to consider 1300 women, being a part of the jury for Hundred Heroines was ultimately an incredibly stimulating and inspirational process,” says Luxemburg. “This final list reflects both the global expanse of female practice and the intergenerational input into contemporary photography. It reflects the wide range of methodologies, practices and diverse approaches of women working with the photographic medium. This is a moment of change and this list of heroines pays heed to it.”
Only a small percentage of the 400 books that Ben Krewinkel has collected and featured on his website, Africa in the Photobook, are actually African. Many are historical publications, political pamphlets, or children’s books, written, photographed, and published by Europeans – including old colonial texts, which seem to obsess over hairstyles and traditions of scarification. Even the books by contemporary African photographers are mostly published in the West. As a collection that covers more than a century from 1897 to 2018, Africa in the Photobook follows the changing visual representations of the continent through the medium of the photobook – and soon it too will be transformed into a series of photobooks.
Krewinkel, a Dutch photographer, curator, and educator, is working with South African publishers Fourthwall Books on this series, and hopes to publish volume I by the end of 2019. Focusing on Africa under colonialism, it will include a long historical introduction, 40 case studies, and plenty of space to show large spreads from the books. Volume II will sketch a path from the beginnings of decolonisation in the 1950s to the late 1990s, marking the end of Apartheid and also the “re-evaluation of African photography”. Krewinkel then hopes to create a third volume, focusing on contemporary African photo books.
Seven European festivals make the best of their locations and the late-summer timing to show off al fresco programmes this September – Visa Pour l’Image, Getxophoto, BredaPhoto, Festival Images Vevey, Landskrona Foto Festival, Guernsey Photo Festival, and Brighton Photo Biennial
Marrakech is a hub of arts-related activity this February. On the 24th, 1-54 Contemporary African Art Fair launches its first edition on the continent, and on the same day the Museum of African Contemporary Art Al Maaden opens a special exhibition and programme, Africa Is No Island. Curated by Afrique in visu, the latter exhibition is a physical embodiment of everything the photography platform has been working towards since it was started a decade ago online with the mission to develop a professional network for photographers across the continent and the wider diaspora.
The founder and director of the African Artists’ Foundation and curator of this year’s Lagos Photo picks out his top books, exhibitions and Instagram feeds of 2017
Titled Afrotopia, the headline show of the 11th Rencontres de Bamako features work from 40 photographers and collectives, drawn from all over the continent and from the African diaspora abroad. Shown at the National Museum of Mali, the exhibition was drawn from over 300 applications by a jury of photography insiders including Rencontres de Bamako artistic director Marie-Ann Yemsi, photographer Sammy Baloji and curator Azu Nwagbogu. It will be on show from 02 December-31 January 2018, after which the exhibition will travel to The Netherlands.