“I felt like I was always playing the same cards. With this project, I wanted to collect the cards and reshuffle them,” says José Pedro Cortes, whose latest book, A Necessary Realism, proposes new ways of seeing old images, gathered from almost 15 years of work and presented in his favourite medium, the photobook.
“The book is always an important moment for me,” says the Portuguese photographer, who is co-founder of the publishing Pierre von Kleist. “They are a mirror into the time I am living in, where I looked for a while in the same area.
“I wanted to fill in the gaps,” he adds. “By trying to break from this idea that images have a connection to a specific geography, and also a specific time, I wanted to take a different look at my archive, as if it were something new.”
Back in 2008, Facebook was just four years old, Twitter was just two years old, and the iphone had just been released. Instagram had not yet been invented. A decade is a long time in internet years, and yet one online photography magazine launched into this unpromising landscape has survived and thrived – 1000 Words. Set up and still run by editor-in-chief, Tim Clark, it includes long-form essays, interviews, and reviews, and has included contributors such as David Campany, Susan Bright, Gerry Badger, Charlotte Cotton, Wolfgang Tillmans, Adam Broomberg and Oliver Chanarin, Vanessa Winship and Lieko Shiga. Now, to celebrate its 10th anniversary, Clark is publishing a special print edition, 1000 Words 10 Years, designed by respected photography and art specialist Sarah Boris and featuring newly-commissioned content. The annual will be 200 pages long, and will feature 10 portfolios from influential artists such as Jose Pedro Cortes, Laia Abril, Edmund Clark, and Esther Teichmann, as well as a series of photo-centric city guides, profiles on curators and collectors, opinion pieces on the art of photobook publishing, and reflections on a decade’s changes in photography. It will also include a selection of memorable and talked-about articles from the 1000 Words back catalogue.
“Where are ‘we’ going as a collective society?” That’s the question posed by this year’s Getxophoto Festival, back for its 11th edition under the stewardship of new artistic director, Bilbao-born Monica Allende. The festival, which opens on 31 August and runs until 01 October 2017, comprises 20 main exhibitions, many of them outdoors, and a lively programme of activity and events unfurling around the coastal town of Getxo in the Basque country. “‘Transitions’, the theme for the next three instalments of the festival, starts from the idea that we are entering “a period of post-globalisation”, says Allende, a former photo editor at The Sunday Times. “This concept has been on the fringes of debate for some time but is gathering momentum in mainstream discourse. “We see its effects through increased polarisation of political debate around the threats of climate change, the refugee crisis and the rise of nationalist populism. This is a moment of major uncertainties, where the status quo of the state and global free-market agreements are being questioned as solutions for a balanced …