Cockburn’s work, on show at Flowers Gallery, London, subverts the dominant visual language of today: mass-produced and digitally-manipulated images
Work in Process is a new exhibition at The Print Sales Gallery, championing the work of five female contemporary artists who use alternative processes in their photography. According to Gemma Barnett, curator of the show, the initial idea was to look at artists who approach photographs as “three-dimensional objects”. She also wanted to focus on women and their approach to photography, which in turn “gave a much more personal feeling” to the exhibition.
First established in 1970 by Angela Flowers in London’s West End, Flowers Gallery now has two central London locations – one in Mayfair and another in Shoreditch, along with a space in New York. The gallery currently represents 48 international artists working across a wide range of media. Flowers Gallery has been recognised for its engagement with important socio-cultural, political and environmental themes. We spoke to Director of the Photography Department, Chris Littlewood, about the artists’ work he is bringing to Photo London later this month, which include an array of well-known names such as Edward Burtynsky and Nadav Kander. Littlewood has also helped predict a number of future trends, from experimental installation techniques, to elements like 3D printing and augmented realities. What excites you the most about exhibiting your artists at Photo London? It’s always exciting to present at fairs, especially if the work is fresh and audiences are engaging with it for the first time. If someone appreciates an artist’s work the same way I do, an amazing energy can come out of …
Back for its second year, the 24-hour event allows photo-lovers to see “an area of London where artists are actually working on a day-to-day basis”, says co-founder Vivienne Gamble.