“I like the beauty that comes from the harmony of opposites,” says Cho, one of this year’s Ones to Watch
When Kanghee Kim started making photographs, it was out of frustration. Due to visa complications, Kim hasn’t been able to leave the US for 10 years, even to visit her relatives back home in Korea, because her entry back into the states isn’t guaranteed. Now 27, Kim moved to New York with her family when she was 14. Getting a green card should have been simple – at the time there was a need for more nurses in the states, and her mother was helping to fill that gap – but their lawyer missed a deadline, and Kim was never able to secure a citizenship. Eventually, she was protected under the DACA (Deferred Action for Childhood Arrivals) policy, but her status has made leaving the country too much of a risk. “I really miss Korea, especially over the last few years,” she says. “Korea is the motherland. Whenever I see photos or hear about it I feel a bit torn.” Kim didn’t get into photography until her final year of studying painting at Maryland Institute College …
In November this year, Jimei x Arles International Photography Festival, the sister festival to the renowned Rencontres d’Arles, celebrated its fourth edition in Xiamen, in China’s Fuijan province. With an overall view to “serve as a cultural exchange between France and China”, the annual event hopes to also raise the profile of photography in China by providing a meeting place for professionals in the field and providing a platform for emerging photographers to showcase their talent.
“It is a matter of promoting an idea of culture and art, that is both creative and popular, open to greater audiences but also a site for encounters between creatives,” explains Victoria Jonathan, one half of the creative direction team alongside Bérénice Angremy. “It is also an opportunity to nurture an artistic dialogue between Chinese and European artists and audiences. Ideas travel with exhibitions and art projects. For Arles, it is also an opportunity to have a foot in China and grow a deeper knowledge of the Chinese and Asian photography scenes.”