Trained in photography at Westminster University, Patricia Karallis set up Paper Journal in 2013 and swiftly gained a reputation for her discerning eye for images. For five years the magazine ran online only, racking up more than 500 interviews, features, photo book reviews, fashion features, and studio visits, and attracting well over 150,000 followers to its Instagram feed. It’s now gone into print for the first time, and the photographers featured in it reads like a who’s who of interesting contemporary image-makers, including Daniel Shea, Gregory Halpern, Matthew Connors, Senta Simond, Kristine Potter, and Stephanie Moshammer, as well as less familiar names such as Joseph Kadow, Nhu Xuan Hua, and Xiaopeng Yuan.
“What’s more American, iconic, and masculine than a cowboy?” asks Kristine Potter. “There is so much control within the military, so I wanted to pivot to a more lawless, unpredictable form of masculinity”.
Coming from a long line of military men on both sides of her family, Potter has long been interested in broadening the spectrum of permissible masculinity. After completing The Gray Line, a project that looks at young male cadets, she started to think about forms of masculinity other than that familiar from her youth.