The title of Michael Lundgren’s latest photobook, Geomancy, refers to the occultic method of interpreting sedimental markings and patterns on the ground. But, like the method of divination, from which it takes its title, the book is devoid of factual statements: there is no text or allusion to time or place. The book comprises a sequence of strange structures in mutant landscapes, and colours, which, surely, do not exist in the “real world”? So where are these places, are the alien forms symbolic, and what do the images say about our world and our reality? “This book is interested in the psychic space that’s created by photographs,” says Lundgren, explaining that although some of the colours are manipulated, he considers the images to be rooted in the real world. “It refers to our own experiences or visions of the earth, but does not point to any particular landscape, region, or ecosystem.” Geomancy follows on from Transfigurations (2008) and Matter (2016) and is an extension of the photographer’s continued interest in mythology and surrealism. Lundgren’s earlier …
Captivated by the Indigenous tradition of Songlines, Tanya Houghton travelled across Australia’s national parks, covering a total distance of 10,500 km over five weeks
The name of Lili Jamail’s new exhibition, Rollercoaster, has a personal significance. “The group of photographs is about emotional ups and downs,” says the photographer. “I began working on the grouping at the beginning of the year, which started off really rough for me.” Jamail, whose mother taught her how to use her first film camera, is referring to a break-up. “I really felt like I was alone, and I knew that the only way I was going to get out of it would be by learning how to make myself feel whole on my own,” she continues. The exhibition, which is on show at Team Gallery, New York, comprises a selection of images that embody the emotional rollercoaster Jamail experienced — the ups and downs of heartbreak. The photographer’s practice is rooted in an autobiographical approach. Jamail documents the every day, specifically moments that may seem unremarkable. “Situations that are usually missed, like quiet time at home, or a space that you may have just passed when you were walking at night, which you …
Ekaterina Vasilyeva investigates the road between Saint Petersburg and Petergof in Russia, exploring the history of the land and her own identity in relation to it
Ahead of his first international solo show, the photographer behind popular YouTube channel Negative Feedback shares his story and the process behind his latest body of work
Mark Power reveals the first dispatch from his odyssey across the US to document the towns and landscapes of a country in flux, a decade-long project rooted in the influential work of his great American forebears of the 1930s
Using colour filters and items collected on the road, Delaney Allen disrupts the familiar tropes of American road trip photography
When Felicia Honkasalo’s grandfather passed away in 2009, he left behind boxes full of rocks and minerals, and stacks of notes, sketches, and fading photographs. “No one else in the family wanted them,” says Honkasalo, who never got the opportunity to meet her grandfather, “I was really intrigued by it all, but I didn’t really know what to do with it at first”.
Honkasalo’s debut book, Grey Cobalt, is an attempt to construct imagined memories of her grandfather, who was a metallurgist during the Cold War in Finland as well as an avid cosmologist. Published by Loose Joints, the book release accompanies an exhibition at the Webber Gallery in London, which will run till 15 February.
“One huge image can fill a spread and stop you in your tracks”
Winner of BJP’s Fractured Stories commission, Adam is currently based at the Preston New Road site working on an ongoing project