Our pick of the key stories from the past week, including a new book on London’s Thamesmead estate, an exhibition of Diane Arbus’ early work, and World Press Photo Foundation’s pick of the emerging photographers from Asia
When Felicia Honkasalo’s grandfather passed away in 2009, he left behind boxes full of rocks and minerals, and stacks of notes, sketches, and fading photographs. “No one else in the family wanted them,” says Honkasalo, who never got the opportunity to meet her grandfather, “I was really intrigued by it all, but I didn’t really know what to do with it at first”.
Honkasalo’s debut book, Grey Cobalt, is an attempt to construct imagined memories of her grandfather, who was a metallurgist during the Cold War in Finland as well as an avid cosmologist. Published by Loose Joints, the book release accompanies an exhibition at the Webber Gallery in London, which will run till 15 February.
“One huge image can fill a spread and stop you in your tracks”
Winner of BJP’s Fractured Stories commission, Adam is currently based at the Preston New Road site working on an ongoing project
Clément Chapillon spent 10 days immersed in the Californian wilderness. The work he created embodies his journey as much as the people and places he encountered along the way
“Most people would walk by a dump pile and assume that there’s no picture there,” says global industrial landscape photographer Edward Burtynsky. “But there’s always a picture, you just have to go in there and find it.” Born in Canada in 1955, Burtynsky has been investigating human-altered landscapes in his artistic practice for over 35 years, capturing the sweeping views of nature altered by industry; from stone, to minerals, oil, transportation, and silicon. “Of course, it’s important to me to make sure that my pictures are attractive to the eye,” he says. “But beneath the surface there’s always a bigger, deeper environmental issue.”
Last few hours left to apply! BJP IPA 2019 deadline: 20 December, 2018. There will be NO extended deadline. “Placed anonymously and often hidden from view, ‘Ex-Votos’ are offerings left by pilgrims as signs of gratitude and devotion,” explains Alys Tomlinson of the subjects of Ex-Voto, a series exploring offerings of religious devotion found at Christian pilgrimage sites. These small donations of gratitude take the form of handwritten notes neatly folded and hidden in the crevice of rocks, crosses etched into stone, or lengths of ribbon tied around piles of twigs, creating a tangible narrative between faith, person and the landscape. Ex-Voto explores this narrative through formal portraiture, large format landscape photography, and small, detailed still lives of the objects and markers left behind. Last year, the series was shortlisted for the BJP International Photography Award, and it has garnered global attention ever since. “To have my interests recognized as resonating beyond my own curious impulses is both exciting and encouraging,” says Alys of being shortlisted for last year’s BJP IPA, “While to receive recognition from …
Photographer Michael Novotny discusses finding a sense of community in the most surprising of places – the Icelandic countryside
EyeEm is currently the world’s largest photography competition, and this year it welcomed a record 700,000 entries. The submissions came from more than 100,000 photographers, hailing from over 150 countries, who have now been whittled down to 100 finalists. The daunting task of selecting the finalists from this number came down to a panel of industry experts that included Nik Schulte, Image Director of High Snobiety; Jose Cabaco, the Global Creative Concept & Storytelling Director at Adidas; Lucy Pike, Director of Photography at WeTransfer; and Sasha Dudkina, last year’s EyeEm Photographer of the Year, among others. Together, they selected the top 10 images from each of the nine categories, and the 10 shortlisted photographers for Photographer of the Year. Among the diverse categories are ‘The Architect’, ‘The Creative’, and ‘The Traveller’, with shortlisted images ranging from Juan Manuel Molina Avilés’ eerie photograph of a man with his head submerged under a tap in ‘The Creative’ category; Maxym Gorodetskyy’s depiction of far-right protesters baring #freetommy posters, and fighting for the release of ex-EDL leader Tommy Robinson …
“If we tell the story differently, we can instil viewers with a sense of urgency, or, at the very least, a curiosity about the subject of fracking”