Light and Shadow is the first comprehensive retrospective of the work of Dr. Paul Wolff and Alfred Tritschler. Tracing their photographs from 1920 to 1950, the book explores Wolff and Tritschler’s roles as pioneers of the Leica, as forerunners of illustrative photography, and as creators of an extensive archive of work that documents several chapters of German history. Wolff and Tritschler are known for photographing the years of the Weimar Republic – Germany’s government from 1919 to 1933 – through to the rise of Nazi Germany, and in the devastation of the Second World War. Encompassing around 70,000 images, their work has established them as the two most significant photographers of this period in German history. Light and Shadow features 1,000 of their photographs shot during this time, and in the years following the war. Although now considered pioneers of the artform, the pair did not approach photography in a way that was typical of the time. Wolff formally studied medicine and became a physician in Strasbourg, but when his practice was restricted by the …
It started in the early summer of 2018, when Cole Flynn Quirke’s grandmother passed away after suffering from a long-term illness. “It was the first time I ever lost someone that I adored so much. It affected me in a way that I didn’t really think things could,” he says. “I started to feel – and I know it sounds really cringey but – a kind of overwhelming weight of existing. My life became more important to me than it ever has before.”
A Bird Flies Backwards is an autobiographical project built around the timeless themes of mortality, friendship, love and lust. It includes photographs of Quirke’s family and friends and their surrounding landscape, as well as videos pulled from old VHS footage, and painful images of his grandmother on her death-bed. “I didn’t even want to look at those prints, but I put them in there because they’re important to the narrative,” says Quirke.
This month, we present a small selection of work that will be shown at Format festival, which returns to the Quad Arts Centre in Derby, England for its ninth edition this March. Under the theme Forever/Now, our edit of notable projects emphasises the festival’s slant towards ‘crooked’ documentary practices, where a lack of subject or search for the unknown is filled by fiction and interpretation.
He’s best-known for his work with British and Italian Vogue, but Tim Walker is also a successful solo artist, opening his third solo show at London’s V&A on 07 September (his first two were also in London, at the Design Museum in 2008, and at Somerset House in 2012). The exhibition will feature a “brand new body of work inspired by the V&A’s collection,” stated V&A director Tristram Hunt as he announced the show yesterday, adding: “He will work his magic and come up with a series of photos.”
Starting his career by working in the Condé Nast picture library, where he worked on the Cecil Beaton archive for a year before university, Walker went on to assist Richard Avedon and shot his first story for Vogue at the age of 25. Famous for his use of elaborate sets, Walker is collaborating with celebrated British art director Shona Heath on his V&A show, which will include photographs, films, sets and installations around the museum.
When Polish photographer Wiktoria Wojciechowska first heard about the ongoing Ukrainian conflict she was in China, shooting a project titled Short Flashes, which went on to win the 2015 Leica Oskar Barnack Newcomer Award. “I was cracking the internet but everything was so blocked I couldn’t get any information,” she says. “I was asking all my friends, then I realised not many people knew about it, even though it’s so close [as Ukraine borders Poland]. I was really inspired to go by fear, by wondering how I would react if the same thing happened in my country.”
Running during Les Rencontres d’Arles and with an opening week all of its own, Voies Off is a well-established, free, fringe festival. Featuring exhibitions, evening projections, portfolio reviews, and parties – this year sound-tracked by the Africa Fete Festival – it’s the place to discover and be discovered.
Based in the Cour de l’Archevêché in the centre of Arles but with exhibitions running all over town, Voies Off is sponsored by Leica and is screening the 2018 Leica Oskar Barnack Award finalists every night this week except Wednesday. But it also has a well-defined programme of their own, which this year includes an exhibition titled If Slovenia Were… curated by the respected Slovenian/French photographer Klavdij Sluban and featuring work by 19 contemporary Slovenian photographers.
The Leica Oskar Barnack Award is one of the most prestigious in the business and, with a top prize of €25,000 plus a Leica M-System (camera and lens), it’s a lucrative one too. This year, 12 photographers have been picked out for the shortlist – Samuel Gratacap (France), Daniel Chatard (Germany), Max Pinckers (Belgium), Ernesto Benavides (Peru), Vanja Bucan (Slovenia), Turi Calafato (Italy), Stephen Dock (France), Mary Gelman (Russia), Stéphane Lavoué (France), Elsa Stubbé (Belgium), Christian Werner (Germany), and Kechun Zhang (China). Benavides has been nominated for Dredges, a series on illegal gold mining in his native Peru; Bucan’s Sequences of Truth and Deception looks at the ambivalent relationship between humans and nature. Calafato’s Amuninni ‘u mari [Let’s go to the sea] shows locals on the beach in Sicily; Chatard’s Niemandsland [No man’s land] documents the tense relationship between the mining industry and environmental activists in the Rhenish region. Dock’s Architecture of Violence was shot in Ireland and records the reverberations of war; Gelman’s Svetlana looks at a community of mentally disabled people in Russia. …
Stuart Franklin pays tribute to the Saharan adventure of Magnum Photos co-founder George Rodger with a new body of work
The Forest Finns, an officially recognised minority culture in Norway, arrived in the Finnskogen area in the early 17th century, bringing their traditions to the remote forests.Terje Abusdal’s series, Slash and Burn, which has now been named the winner of the Leica Oskar Barnack Award 2017, reveals their customs and questions identity and migration in the region.
Leica, the premium German camera manufacturer, today launched a new a new 35mm prime lens with a “classic” focal length which, Leica hopes, “will become the reference lens in the APS-C category”. An addition to the Leica T Camera System portfolio – the Leica Summilux-TL 35mm f/1.4 ASPH “delivers maximum sharpness, and superb resolution and colour reproduction when shooting wide open, throughout its aperture range, and at all distances,” Leica said in a statement. Developed in Wetzlar, Germany, the lens remains compact due to an internal focusing system, allowing the overall length of the lens to remain unchanged when focusing. As suggested by the ‘TL’ in its name, the Leica Summilux-TL is the first of two new prime lenses for the Leica T Camera System. The lens is fully compatible with the bayonet mount of the Leica T, as well as the L-mount of the Leica SL-System. The second TL lens, the Leica APO Macro-Elmarit-TL 60mm f/2.8 ASPH., will be made available from Autumn 2016. The Summilux-TL 35 mm f/1.4 ASPH. comes in a choice of …