2019 marks a quarter of a century since Val Williams’ curated her seminal exhibition, Who’s looking at the family? at the Barbican in London. In photography, a lot has changed over 25 years, including the introduction of new technologies that have reshaped the way in which we make and consume images, and the changing definitions of what constitutes a photographer.
“On the one hand I thought it might be interesting to speculatively chart that development, but also to rethink notions of the family at the same time,” says Tim Clark, editor of 1000 words magazine and curator of this year’s Photo50 exhibition at London Art Fair. “The idea seemed to chime with a lot of people. I think that’s the key point about family, it’s a great unifying subject. Everyone can relate to it.”
The London Art Fair is back, with its Photography Focus Day on 19 January and the Photo50 group show curated by a collective the first time – the Hemera Collective curatorial group, which currently includes Jaime Marie Davis, Ashley Lumb, Helen Trompeteler and Kay Watson. The Hemera Collective has put together a show called Resolution is not the point. which gathers photography and lens-based media artists from nine countries, including Larry Achiampong, David Birkin, Qiana Mestrich, and James Tylor & Laura Wills. The exhibition also includes work by several collectives, one of its points of enquiry is the way in which photography is encouraging artists to collaborate as it evolves, “as they push conceptual and technical boundaries of image-making, reaching beyond their own specialisms and drawing on the circulation of images, knowledge, and resources”.
Sue Steward is remembered on 16 November with music and tributes at The Tabernacle, London. Even Sue, a writer who excelled in celebrating lives, might have struggled to write an obituary that unravelled the vibrant meshing of her own. She lived with ferocious energy and enthusiasm, and a genuine gift for friendship so innate that she never realised how unique it was. When Sue died recently from a brain haemorrhage, sustained in her beloved East Sussex garden, grief ricocheted through an extensive global network of friends and colleagues.
Inspired by the ancient Roman virtue of Gravitas, Christiane Monarchi has curated a photo exhibition focusing in on adolescents and their depiction
Each January, London Art Fair dedicates exhibition space to photography, inviting a curator to select 50 images along one common idea. The 2016 edition of Photo50 at LAF (which runs at Business Design Centre, 20-24 January) is curated by BJP contributor Federica Chiocchetti, whose theme is ‘Feminine Masculine: On the Struggle and Fascination of Dealing with the Other Sex’. She explains her interest in curating an exhibition that grapples with the mysterious dynamics that operate between men and women. – BJP “It is absurd to divide humanity into men and women. It is composed only of femininity and masculinity.” Valentine de Saint Point ‘Manifesto of the Futurist Woman in response to F. T. Marinetti’, 1912 “In the end every definition of male and female is personal, and it’s that idiosyncrasy we value, need and hope to encourage. Who do we think we are? A work in progress ♂♀”. Vince Aletti, ‘Male Female’, 1999 ‘Feminine Masculine’ presents an unfinished and personal exploration of the dynamics between the opposite sexes. This mysterious topic, at times ineffable and immaterial, often seems …