“Ideally a [World Press Photo] Picture of the Year would be surprising, unique, relevant, memorable,” says Whitney C. Johnson, vice president, Visuals and Immersive Experiences, at National Geographic, and jury chair for World Press Photo’s 2019 contest.
This year John Moore has won that top spot, with an image showing Honduran toddler Yanela Sanchez crying as she and her mother, Sandra Sanchez, were taken into custody by US border officials in McAllen, Texas, USA, on 12 June 2018.
This year World Press Photo also added a Story of the Year to its awards, and that prize has also been won by a project on immigration, which was shot by Sweden-based, Dutch photographer Pieter Ten Hoppen. His series shows people travelling with the largest migrant caravan in recent history, which left San Pedro Sula, Honduras on 12 October and gathered as many as 7000 people on its way to the USA, according to UN agencies – including at least 2300 children. Shot in soft colours, it focuses in on individuals in the caravan, and moments of beauty in their lives.
“Working in Yemen is extremely difficult,” says Lorenzo Tugnoli, talking to BJP by phone from Kabul. “It’s a country where you have to navigate through various factions, and there are bureaucratic obstacles on both sides. As an example, it took us months just to get a visa.
“And even when you get access, you are not allowed to have much time. For example, after long negotiation we were allowed to go to Hodeidah, but they only let us stay for a few days. I look at my pictures in the port: I was there just for half an hour.”
Even so, Tugnoli has managed to make two extended trips to Yemen – the first for three weeks in May 2018, and the second for five weeks in November and December 2018. During those trips he travelled extensively throughout the country, crossing over the frontline and into territories held by opposing forces. Showing both the conflict and its disastrous humanitarian impact, his images have been published in a series of essays by The Washington Post, and a story pulled out of those images by Tugnoli and the director of Contrasto, Giulia Tornari, has now been nominated for the very first World Press Photo Story of the Year.
Our pick of the key stories from the past week, including interviews with World Press Photo-nominated photographers, details of Bangladesh’s Chobi Mela festival, plus Piero Percoco on his wildly successful Instagram The Rainbow is Underestimated
Our pick of the key stories from the past week, including the World Press Photo and MACK First Book Award nominees, and interviews with Iain McKell, Tommaso Rada, and Mona Kuhn
A shortlist of six images have been announced for this year’s World Press Photo of the Year, and three photographers shortlisted for a new award that celebrates visual storytelling – the World Press Story of the Year.
The six images shortlisted for World Press Photo of the Year are: Victims of an Alleged Gas Attack Receive Treatment in Eastern Ghouta by Mohammed Badra (Syria); Almajiri Boy by Marco Gualazzini (Italy); Being Pregnant After FARC Child-Bearing Ban by Catalina Martin-Chico (France/Spain); Covering the Disappearance of Jamal Khashoggi by Chris McGrath (Australia); Crying Girl on the Border by John Moore (United States); and Akashinga – the Brave Ones by Brent Stirton (South Africa).
The three nominees for the World Press Story of the Year are Marco Gualazzini (Italy), Pieter Ten Hoopen (Netherlands/Sweden), and Lorenzo Tugnoli (Italy) – making Gualazzini the first photographer to have been nominated for both the World Press Photo of the Year and the World Press Story of the Year.
The Sony World Photography Awards prides itself on being a truly global competition, and this year it received almost 320,000 entries from over 200 countries and territories. The awards cover four separate competitions – Professional, Open, Youth and Student Focus – which are themselves categorised into areas such as Architecture, Contemporary Issues, Landscape, Portraiture, and Travel. The winners will be revealed on 19 April, and a curated exhibition of the work will take place at Somerset House, London from 20 April-06 May.