The British Journal of Photography’s editorial director picks out his top five of 2017 – including Sam Contis’ Deep Springs
In Money Must Be Made, Lorenzo Vitturi’s latest photobook, the photographs address the question of how, not merely where. It is not exceptional to visit a market in Lagos with a camera, especially if, as white, you are working within a tradition of photography that depicts Africans in despair and as NGO-needy. What distinguishes this work is the complexity suggested, an indication that the market – one of the largest in west Africa – is connected to its people and products in many, many ways.
The November issue of BJP takes you on a round the world trip with Journeys. From the markets of Lagos to the search for Jesus across the world, these are more than just trips; these journeys will alter your way of looking at the world.
Dalston’s Ridley Road Market is an East London institution, but to a newcomer it can feel like an overwhelming assault of sights, sounds and smells. At once thrillingly vibrant yet strangely anachronistic, the market is the sort of place where you’re as likely to pick up a goat’s head or a Giant African land snail as you are hair extensions or an international phone card. It has been a focal point for the area’s diverse demographic since the 1880s, and apparently inspired the fictional market in BBC1’s Eastenders. Yet in recent years gentrification has laid claim to much of the surrounding area, threatening the delicate balance of this microcosm of East London life. That this complex and captivating social nexus might be lost for future generations has been one of the main motivations for photographer and local resident Lorenzo Vitturi, putting his successful advertising career on hold for a year in order to explore it more thoroughly. “I wanted to do a project before gentrification completely transformed the area,” he explains. “Even while working in advertising, …