At 28, Zsolt Ficsór is part of this new generation, using his collective, MAMA Photobooks, to help promote local artists’ self-published work. In October Ficsór brought MAMA to Photo Book London at The Old Truman Brewery, Brick Lane, for example, while in September, he was invited to take part in the five-day Magnum workshop at the Capa Contemporary Photography Centre in Budapest. Lead by celebrated Magnum photographers Antoine d’Agata and Matt Black, this workshop was a masterclass in developing his style of urban documentary photography, he says, which stems from his fascination with “interacting with this surreal and unreal world that we are living in right here here, right now”.
“If your pictures aren’t good enough, you’re not close enough,” said Magnum Photos co-founder Robert Capa, famously. This week Magnum Photos is revisiting Capa’s concept with its Square Print Sale, part of a cycle of four print sales it’s running to celebrate its 70th anniversary.
Traditionally taking the idea of a “journey” as its theme, Cortona On The Move has now abandoned this metaphor for a new task – reflecting on the past while theorising on the future. “We are taking the motto ‘on the move’ to keep our eyes open and see what’s happening out there,” explained creative director Arianna Rinaldo to BJP
“It’s a very simple idea: to say no, this is not isolated, it’s literally everywhere and it’s something we all need to address squarely,” says Matt Black. For newly appointed Magnum nominee Black, photography is as much an exercise in morality as it is one in aesthetics and artistry. That high-minded idea has been put, steadily and consistently into practice, evidenced by the two decades he’s spent exploring the rural United States, meeting communities that have been excluded and neglected. His work caught the attention of Magnum Photos, who named him as a Magnum Nominee this year alongside Carolyn Drake, Lorenzo Meloni, Richard Mosse, Max Pinckers and Newsha Tavakolian (featured in our September 2015 issue.) Black’s current ongoing project, The Geography of Poverty, is perhaps his deepest foray into these strongly-felt concerns. He’s travelling across the United States photographing communities with poverty rates of over 20 per cent, the official level for a ‘poverty area’. There are over 70 towns that meet the ’20 per cent’ standard and this in itself, Black finds appalling: “I …