Discovered objects and images play a vital role in the work of Vancouver-born, Brooklyn-based artist Sara Cwynar. Her practice blends collage, still life and portraits in photographic and filmic forms, incorporating material sourced on eBay, or at flea markets and the like. So when the opportunity arose to hold an exhibition at the Minneapolis Institute of Art last autumn, followed by a show at Milwaukee Art Museum this spring, it seemed a serendipitous moment to unearth works incorporating items from an archive close by.
“Some of the pictures that I’ve used as source material over the years came from an eBay seller who bought the archive of an old photo studio in Milwaukee,” she explains. “I think it was operational from the 1950s to the 1970s or so, and it closed down a long time ago. I like that they tie in to the location; I have repurposed some of the negatives from that for this show.”
Dr Yasufumi Nakamori has been appointed new senior curator, International Art (Photography) based at Tate Modern, heading up the development of Tate’s collection of photography and programme of photography exhibitions and displays. He’s taking up the post in October, filling the gap left by Simon Baker back in January (when he became director of the Maison Européenne de la Photographie in Paris).
For the last two years, Nakamori headed up the photography and new media department at the Minneapolis Institute of Art, staging exhibitions with image-makers such as Omer Fast, and making key acquisitions “which transformed and diversified the museum’s photography collection”. From 2008-2016 he was curator of photography at the Museum of Fine Arts, Houston, where he created exhibitions such as Katsura: Picturing Modernism in Japanese Architecture, Photographs by Ishimoto Yasuhiro (which won the 2011 Alfred H. Barr Jr. Award for Smaller Museums), and For a New World to Come: Experiments in Japanese Art and Photography, 1968-1979.