Stakle recently won the New East Photo Prize organised by Calvert 22 Foundation, with a series titled Heavy Waters. Shot in Crimea in 2011, the series shows towns and villages scattered along the coast on the Crimean Peninsula – an area that was at the time part of Ukraine, but which became part of Russia after the Ukraine-Russia crisis in 2014. To date, Crimea remains an internationally unrecognised part of Russia. Crimea was one of the most popular resorts of the Soviet Union but, says Stakle, “being on the crossroads of trade routes has always been risky”. “Since times immemorial, the Crimean Peninsula has been coveted by different countries, near and far,” he writes in his introduction to the series.
Projects exploring mysterious religious rituals in Russia, Soviet health resorts in Poland, and Ukrainian school graduations all feature on the shortlist for this year’s New East Photo Prize. Including 16 photographers from Latvia, Romania, Ukraine, Poland, Hungary, Russia, Croatia, Slovakia and Azerbaijan, the shortlisted series will be exhibited as part of a group show this autumn.
“Each of the shortlisted photographers demonstrate a unique approach to the people, places and stories that shape the region,” says Ekow Eshun, creative director of Calvert. “The prize has proven itself once again to be an important space for emerging photographers to gain international recognition, and we look forward to working with each of them in the exhibition and beyond.”
A new photography focusing on the contemporary perspectives of “the New East” – Eastern Europe, the Balkans, Russia and Central Asia – is about to launch in London.