Originally trained as a journalist, Barcelona-born Laia Abril expanded her storytelling methods after studying at New York’s ICP. She is best-known for the first chapter of her long-term project A History of Misogyny, On Abortion, which recently won the Paris Photo-Aperture Foundation PhotoBook of the Year Award and has been shortlisted for the 2019 Deutsche Börse Photography Foundation Prize
Out of nearly 1000 submissions, the winners for this years Paris Photo/Aperture Foundation Photobook Awards, established in 2012 to celebrate the photobook’s contribution to the narrative of photography, have been announced at Paris Photo.
The Photobook of the Year award went to Laia Abril, for part one of her long-term project, A History of Misogyny, Chapter One: On Abortion (Dewi Lewis). The project is not about the experience of abortion itself, but about the repercussions for women who do not have access to legal, safe or free abortions, forcing them to consider dangerous alternatives that cause physical and mental harm.
Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who’ve made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.
Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
“In the EU today, we take women’s rights for granted,” says Marina Paulenka, director of Organ Vida, a three-week international photography event held annually in Zagreb. Founded in 2008, the festival has always been driven by political context, and this year, for its 10th edition, its all-female team have chosen to emphasise female-identifying perspectives from around the globe.
“In a time of post-capitalist global turmoil, technological advancements, with the strengthening of rightwing extremism, the growing influence of religion that limits women’s rights again, and the semblance of democracy in the 21st century, we are facing a situation in which women must fight anew for the rights that had been won long ago,” Paulenka insists.
Photobooks have been booming for the last ten years or so but one prize has been there for the last 49 years – Les Prix du Livre at Arles, which was set up at the same time as the Rencontres d’Arles festival. With its long history and prestigious jury, which is this year overseen by FOAM director Marloes Krijnen, the Prix du Livre are some of the best-respected in photography.
Three Prix are up for grabs in three categories this year – the Historical Book Award, the Author Book Award, and the Photo-text Book Award, each of which come with a €6000 prize to be shared between the photographers and their publishers. The books are on show at Arles until 23 September, and the winners will be announced in the opening week.
Established back in 2008, the Fotobookfestival Kassel was the first festival devoted to the photobook and, over the last 10 years, has made a name as one of the most interesting on the calendar. Its 10th anniversary edition looks set to bear out this reputation from 31 May-03 June, with talks by celebrated photographers and photobook-makers such as Anders Petersen, Susan Meiselas, Carlos Spottorno, Mathieu Asselin, Gerhard Steidl, JH Engström, and many more, and exhibitions by Dana Lixenberg, Daniel Gustav Cramer, and the designer Sybren Kuiper (SYB). The exhibitions programme also includes two shows devoted to Kassel’s well-regarded prizes – the Dummy Award and the Photobook Award. In total 30 books have been selected for the Photobook Award by a prestigious panel including, Laia Abril On Abortion; Mathieu Asselin Monsanto – A Photographic Investigation; Ludovic Balland American Readers at Home; Tim Carpenter Local Objects; Sanne de Wilde The Island of the Colorblind; Carolyn Drake Internat; Li Feng White Night; Stephen Gill Night Procession; Anne Golaz Corbeau; David Goldblatt Structures of Dominion and Democracy; Daniela Keiser Kairo; Stephan Keppel Flat Finish; Paul Kranzler and Andrew Phelps The Drake Equation; Sandrine Lopez Moshé; Alix Marie Bleu; Raymond Meeks, Adrianna Ault and Tim Carpenter dumbsaint 01: township & bremen …