Ghanaian photographer Eric Gyamfi has won the 13th Foam Paul Huf Award, which is given annually to a photographer under the age of 35.
Gyamfi won the award for his most recent project, Fixing Shadows; Julius and I. “Photographs die and are reincarnated,” stated the photographer, who wins £20,000, a solo show at Foam in Amsterdam, and a spot in Foam Magazine’s Talent Issue and travelling exhibition. “I am interested in what happens to the life of the photograph as it gets sited through time, through death. Fixing shadows; Julius and I, works on the space/life between two photographs, mapped/permutated through different times, encounters and potentialities, as they move through a certain death.”
In 1972, while studying photography at Manchester Polytechnic, Daniel Meadows took over a disused shop in Moss Side’s Graeme Street and turned it into a ‘free photography studio’. Shooting people for nothing, and sending them their portraits or putting the prints in the shop window, Meadows was able to keep going for eight weeks before he ran out of money. Troubled by the fact that those whose images were in the shop window could no longer see the photographs, he laid out the remaining prints on wooden boards and nailed them to trees in the local park. He later realised this had been his first exhibition.
Back in February 2015, BJP flagged up Cemre Yesil as a One to Watch – and now her series For Birds’ Sake, made with Maria Sturm, has won a Prix Levallois nomination. We revisit our article on this series and her hands-on approach to photography
Known for working with brightly-coloured, very obviously retouched still life images, it’s easy to identify Nico Krijno with the new wave of work spearheaded by Lucas Blalock and Sam Falls. He agrees with a non-committal “I guess” but says that, based out on a farm near Cape Town and brought up in a small town by the Boschberg Mountains, he’s more used to doing his own thing. “It’s like totally isolated out there!” he tells me in Beetles + Huxley Gallery, the smart Mayfair space currently showing his work. “There aren’t the institutions, there are no bookshops, zero. I’m here to soak up some culture. “But I think if you’re isolated, you’re not exposed to everything that’s going on in London, you have to go inward,” he adds. “And that’s important.” Born in South Africa in 1981, Krijno never studied photography. Interested in writing and plays he studied theatre and film-making in Cape Town, before deciding his ideas were getting lost in “the hierarchy of all the people” on set and swapping onto stills. He …