Growing up in Peru in a large family “with limited resources”, photography didn’t figure large in Prin Rodriguez’s childhood. In fact her family only got its first camera – a pocket digital camera – when she was finishing secondary school, and was initially firmly against it when Rodrigeuz said she wanted to study photography. “They had the conviction that university education was a way of moving up the social ladder, and that photography did not offer any certainty of this,” she tells BJP. “For my family to have a camera was almost a luxury.”
Despite this Rodriguez persisted, and is now building a successful career in image-making. She’s currently taking part in the VII workshop in Poland, one of only 20 photographers to have been invited to join, and the only one from the whole of Latin America. Her work was recently published on the PHmuseum website, and she has co-founded the Pariacaca collective with fellow photographer Monarca Criollo.
“For me home is a very difficult concept because I was born in Peru, but grew up in Spain and lived in America,” Moises Saman tells me over the phone from his current base – Tokyo, Japan. “At first I was confused because I’ve moved around so much in the past few years. So for this project, I took the opportunity as a way to trace back to where I was born.” Born in Lima in 1968, Moises Saman relocated to Barcelona, Spain with his family when he was just one year old. He spent a month travelling in Kosovo photographing the immediate aftermath of the last Balkan war; during his seven-year stint at Newsday as a staff photographer, he covered the fall out of the 9/11 attacks, and spent an extensive amount of time in Middle Eastern countries before becoming a freelance photographer.
“I think politics affects every decision in daily life – it’s hard to remain on the sidelines,” says Musuk Nolte. “For me, photography is a visual element to work on these very complex issues. “With all the problems we have in our country, we have the responsibility to leave a visual document,” continues the photographer, who was born in Mexico in 1988 but is now a naturalised Peruvian.”I felt the desire to leave a document of what was going on, that it could serve as a visual and historical record. It was my way of relating to my country, but it’s important that this work also has an impact outside the community.”