Our pick of the key stories from the past week, including details of Photo London 2019, an interview with Don McCullin, an interview with photobook specialist Manfred Heiting, and several emerging photographers
Photo London is back at Somerset House this May for its fifth instalment, with a special exhibition of new and unseen work by this year’s Master of Photography, Stephen Shore, plus Vivian Maier, Roger Fenton, Eamonn Doyle, almost 100 galleries from 21 different countries, and a giant egg sculpture.
Known for his pioneering use of colour photography, Shore’s newest body of work will be shown for the first time in the UK at the fair, as well as a series of 60 small photographs titled Los Angeles, taken through a single day in the city in 1969. “We are honoured to present Stephen Shore as our 2019 Master of Photography,” said Photo London’s founding directors Michael Benson and Fariba Farshad. “As his recent retrospective at MOMA (New York) admirably demonstrated, Stephen is a truly pioneering photographer who has consistently pushed the boundaries of image making throughout a long and successful career.”
BJP-online Loves Maria Sturm’s You don’t look Native to me, Jean-Vincent Simonet’s psychedelic images of Tokyo, Roger Melis’ photographs of East Germany, Dawoud Bey’s exhibition Places in History, and the fact that MACK’s First Book Award is now open-entry
It’s free to enter, anyone from anywhere can enter, it’s helped launch photographers such as Paul Salveson, Joanna Piotrowska, and Emmanuelle Andrianjafy, and its winner is announced at Photo London and publishes a book with the prestigious MACK. It is the First Book Award, and in just eight years it’s become a firm fixture on the photobook calendar – and yet so far it’s only received 300 or so submissions per year. How come?
Well, until now MACK has organised it with the help of an international panel of nominators, meaning that only those photographers recommended by this group of curators, editors, and educators could get involved. But now all that’s changed, with the first-ever open-entry First Book Award accepting dummies from anyone who wants to submit. “One of the things we are attempting to remove is the notion that unless you’re connected, unless you’re in the know and have contacts in that sphere, you can’t go forward,” says Michael Mack, founder of MACK. “We want to discourage that idea.”
Laia Abril is no stranger to themes of distress. Bulimia, coping with the death of a child, the asexual community, virtual sex-performer couples – these are all topics that the Barcelona-based photographer has explored and attempted to demystify with her multi-layered, story-based practice. The subjects she tackles are complex and provocative, but ones she is able to connect with by way of female empathy, “where I can be involved emotionally”, she says.
Would you like to join Magnum Photos? The agency is inviting photographers worldwide to submit their portfolios online by 31 January to be considered for nominee status.
Magnum will accept digital submissions from all professional photographers, and entries for June 2019 can be made through this website: https://contests.picter.com/magnum-photos/submissions-2019/ Applicants are required to submit two to three projects, with up to 80 photographs in total. The new nominee members will be announced on 01 July 2019.
In addition MACK is accepting open submissions for its First Book Award this year – in contrast to previous years, in which photographers were nominated by a panel of industry insiders. The prize is open to any photographer or artist who has not previously published work with a third party company, and entries are invited from 12 November 2018 – 21 January 2019. All entries must be paper book dummies; digital submissions are not accepted.
The creation of a dummy is an integral process for any photographer with aims on publishing their own photobook. It is a visual mockup for a proposed project, created before being sent to the publishers. Organised by La Fábrica in collaboration with Photo London, the Book Dummy Award selects a entry that is renowned for its quality, uniqueness and international scope, the winners of the award will then have their dummy physically realised. The competition encourages photographers from anywhere in the world to submit a physical copy of their dummy, under the rule that no digital copies may be entered. One winner from 20 finalist dummies will then be selected by an international jury. The winner’s work will be published with a print run of at least 1000 copies, and distributed worldwide. Photographers submit entries from all over the world, as in 2017 there were participants from 45 countries and every continent. The winner of the 2017 edition was Iranian-born, Swiss photographer Arunà Canevascini. Nominated as one of British Journal of Photography’s Ones to Watch …
It’s six years since the inaugural edition of Unseen Amsterdam arrived with the mission to shake up the art fair model, focusing on emerging photographers and collectors, and instilling a welcome dose of fun to proceedings. And despite its beginnings during difficult times for arts funding, the ‘fair with a festival flair’ has largely succeeded, developing into something more ambitious than a glorified trade show, with its own public programme and a city-wide celebration of the medium in one of the world’s great photography capitals.
The emphasis remains on championing new talent, and with this in mind, the latest addition to Unseen is Futures, a cross-European photography platform bringing together 10 cultural institutions from around the continent, each with their own talent programmes.
Taking place between 17 and 20th May at Somerset House, Photo London has become a popular fixture in London’s cultural calendar. For its fourth edition, the fair will exhibit more than 100 of the world’s leading galleries, along with a series of talks and discussions with photographers and curators. British Journal of Photography will be present across this exciting celebratory weekend as Photo London’s media partners! This year brings a number of new aspects to the fair; the Discovery section has been expanded, increasing the presence of emerging galleries and artists, and the programme of satellite events is bigger than ever. Every corner of London is playing host to some of the world’s most vibrant photographers and institutions. Among these satellite events are Hauser & Wirth’s exhibition devoted to August Sander, featuring 40 rare large-scale photographs, which have come directly from The August Sander Family Collection. Plus, Foam Talent returns to London’s Beaconsfield Gallery with an exhibition of forward-thinking photographers under the age of 35, an exhibition which will then travel to Amsterdam, New York …
Daniel Miller is a photography dealer residing on the west coast of the United States, and proprietor of two galleries in Venice Beach and Santa Monica. He is also the founder of photography collecting site YourDailyPhotograph, an initiative that supplies collectors with a variety of images to their inbox each day, which they can then purchase from a trusted source. With more than 7,000 collectors from 75 different countries currently subscribing, Miller has developed a wealth of knowledge on the current photography market, including on key market trends and driving factors. Here he offers some of his advice on collecting in the current art photography market, to coincide with the release of our first free e-guide, The Beginner’s Guide to Collecting Photography. Why is now a good time for people to invest in the photography market? Globally, photography is one of the youngest categories of collectable art. As such, there are still terrific deals available to collectors looking for great images. Specifically looking at the UK, the photography market has great room for growth. Photo London …