All posts tagged: Photofestival

OpenWalls Arles: Inside our first exhibition in Arles

As part of OpenWalls Arles 2020, we are highlighting photographers whose work is connected to this year’s theme: Growth. Find out how your work could be exhibited alongside Les Rencontres d’Arles 2020 at openwalls.co. The start of July marked the opening week of the 50th anniversary of Les Rencontres d’Arles, the world’s biggest photography festival. To coincide with the commencement of the festival, the very first OpenWalls Arles exhibition opened at Galerie Huit Arles, France, a central gallery near the town’s Roman amphitheatre. As one of Arles’ spotlight locations, the gallery attracts visitors from around the globe, particularly during the busy opening week of the festival.  The exhibition brings together 50 shortlisted images responding to the theme Home & Away. From the 47 photographers featured in the exhibition, 20 were in attendance at its opening. Among them were Jasper White and Jocelyn Allen, whose photographs encapsulate aspects of identity that are tied to our concept of home. White’s photograph, entitled Wall, was taken on Palestine’s West Bank. The image is from his project of the …

2019-07-17T13:01:07+01:00

As It Was Give(n) to Me

Stacy Kranitz has spent the last ten years photographing Appalachia, US, an area devastated by the coal industry, which took valuable resources from the land and left its inhabitants impoverished. By the 1960s, the War on Poverty was declared by the US government, and Appalachia was its poster child. “The region has this history of photographers coming in and dramatising the poverty,” explains Kranitz, “photography has created this open wound in the area”. The publicity afforded to the area and the image it perpetuated became what Kranitz describes as ‘poverty porn’, and its effects have continued to haunt the Appalachian people. “Documentary photography is a slippery slope,” says Kranitz. “You go from doing good to perpetuating stereotypes and dramatising or fetishising the problems.”  During her time shooting As It Was Give(n) to Me, Kranitz has become aware of her role as a photographer working along this slope. “One of the things I tussled with was subjectivity and objectivity,” she explains. “There were times when it felt more honest to reveal myself as a person with …

2019-07-19T11:58:15+01:00

BJP Staff