Since its discovery in 2009, Vivian Maier’s work – and her life – has attracted global attention. It been exhibited all over the world, featured in mainstream media outlets, and circulated in multiple books and films. Even so, many details of the American street photographer’s life remains a mystery.
We know that she worked as a nanny for 40 years in Chicago, and that she liked to spend time walking the streets, taking photographs with her Rolleiflex camera – with and without the children she was looking after. We also know that Maier took more than 150,000 photographs, many of which remain unseen, mostly of the people and architecture in Chicago, New York and LA, but also of herself, and her young charges.
Although it is Spanish photographer Sole Satana’s latest body of work, From a Bad Place was conceived several years ago, during a difficult time when she was struggling with anxiety and depression.
Closely related to her personal life, Satana’s photography tells a very subjective story about her take on everyday life. Her images will be on show at the Centro Parraga in Murcia, Spain, as part of a collaborative project between the gallery and collective UnderPhoto. Now in its second edition, the project aims to bring together emerging creators who offer a “deeply personal representation of reality”.
From a Bad Place will be exhibited alongside photography from Satana’s partner in life and work JD Valiente, a BJP One to Watch this year. The couple met when they were teenagers and have been together for 14 years. They often now collaborate on joint projects, such as the story Dead Meat, but this show, titled Parentésis, is made up of two solo series.
“You should get into the habit of looking above eye-level while walking,” says American photographer Brian Kanagaki. “It’s much more beautiful than looking down at the dirty street and trash.” Golden Persimmons, shot over a period of six years, captures geometric subjects in ambiguous environments; spanning over eight countries (though predominantly New York), the brutally black and white images take inspiration from the graphic, organic shapes found in cities globally.
The project began when the design director got lost while taking a shortcut in his hometown, San Francisco. “It was funny to get lost in a city that I thought I knew so well,” he says. “I ended up driving around and finding so many new things that got my mind working.” One of which was decorative trees in people’s front gardens, the original basis for the series. But after moving to New York and spending time travelling, the idea quickly evolved to focus on tying the world together by capturing its mundane similarities.
Growing up, photographer Tom Roche learned about his Romani Gypsy heritage only through fragmentary stories and speculation. “My great, great uncle was stabbed in the heart with a wooden stake because he owed money for land,” says Roche, a recent University of the West of England graduate. “Then I had one aunt, aunt Liz, who used to pick crops, one aunt that made baskets, and another who sold pegs – or so I’m told; I don’t have any images, records, or concrete facts of my ancestors.”
Shahidul Alam, one of the world’s leading figures in photography, and a social activist who has been a harsh critic of the government in his native Bangladesh, has been arrested in Dhaka for making “provocative comments” following mass protests that have brought parts of the country to a standstill over the past week.
According to his partner, Rahnuma Ahmed, at least 30 plainclothes officers entered his home in the capital at around 10pm on Sunday, and sped him away in a car. He was officially arrested the next day. Alam had posted videos on Facebook and was interviewed by Qatar-based television station Al-Jazeera about the protests, which he said stemmed from anger about widespread government corruption, and not just the bus accident that initially sparked them.
Turkish photographer Çağdaş Erdoğan has been arrested in Istanbul according to his agency 140journos. The photographer, who was featured in the British Journal of Photography’s Ones to Watch list earlier this year, is thought to have been arrested whilst taking photographs in Istanbul’s central Kadikoy district
FullBleed.TV get up close and personal with Wallace, following him as he captures the ultra-rich using his debated ambush street photography style – offering a revealing glimpse into their frivolous world.
Award winning documentary filmmaker and director Charlie Russell spends a day exploring what inspires acclaimed portrait photographer Laura Pannack to continue her ongoing project ‘The Walks’.
What is photography? Over the past few years contemporary photographers have incorporated sculpture, performance, moving image, analogue processes and digital technologies into their practice, stoking a sometimes-heated debate about where exactly the medium begins and ends. But for Catherine Yass, such experimentation is nothing new. In a conversation with BJP and DACS, the not-for-profit artist rights management organisation, Yass explained that she doesn’t, in fact, consider herself a photographer, but an artist who works with photography. Born in 1963, she’s noted for her vivid, glowing photographs shown against light boxes, as well as her films and installations. Her subjects are often vacant urban spaces, construction sites, monuments of the modern industrial age and the people and institutions who commission her. “The way we are positioned by and position ourselves in relation to our surroundings both reflects and affects our state of mind and our sense of ourselves in the world,” she says. “The built environment is a form of communication and an expression of society.” In her Decommissioned (2011) series Yass photographed a car showroom and …