Growing up, photographer Tom Roche learned about his Romani Gypsy heritage only through fragmentary stories and speculation. “My great, great uncle was stabbed in the heart with a wooden stake because he owed money for land,” says Roche, a recent University of the West of England graduate. “Then I had one aunt, aunt Liz, who used to pick crops, one aunt that made baskets, and another who sold pegs – or so I’m told; I don’t have any images, records, or concrete facts of my ancestors.”
Photography is generally accepted as a medium representing reality or the idea of that revealing what you see before you, onto a two-dimensional plane. Multiple Planes, an exhibition organised by Thai New Wave Photography, uses its platform to construct works, in terms of its materials, processes and notions, that relate to photography through atypical dimensions. “It’s a place where you can expect to see inventive works,” says curator Mary Pansanga.
As the apps we use become a bigger part of our daily routines, the line between our digital and real lives is increasingly blurred. “But there’s a tension point where privacy comes in which makes everything even more complicated,” says VICE editor in chief Ellis Jones. How much of ourselves do we share publicly and how do we decide which pieces to share? Which labels do we use to describe ourselves? And how do we avoid others imposing labels onto us? These are a few of the questions posed in “The Privacy and Perception Issue”, VICE’s annual photography magazine.
Cindy Sherman’s first UK retrospective goes on show at the National Portrait Gallery, London from 27 June – 15 September, 2019.
Titled Cindy Sherman, the exhibition will feature around 180 works, including the seminal series Untitled Film Stills. Shot from 1977-1980 in New York, the 70-strong series cemented both her reputation and her approach – manipulating her own appearance to explore the complex relationship between facade and reality.
“Tish believed that photography was an important form of visual communication that could stimulate discussions about real life situations and captured accurate records of the world we live in. She was trying to force people to look at the truth and learn from it,” explains Ella Murtha, the daughter of the documentary photographer. In honour of her mother’s memory, Ella has put together a new photobook, Youth Unemployment, which gathers Tish Murtha’s work photographing poverty-ridden communities in Newcastle in the 70s and 80s. Raw, powerful and emotional, Murtha has captured youngsters trying to survive turbulent economic times, when they had limited prospects – something which has recently come full circle as a new generation has had to deal with the global financial crisis.
“I’m thrilled to be given the opportunity to lead an organisation I have admired for so many years,” says Shoair Mavlian of her new role, director of Photoworks. “I look forward to working with the team, developing partnerships and supporting artists at local, national and international levels to connect new audiences with photography.”
British Journal of Photography travelled to Osnabrück, Germany, for the opening night of the Felix Schoeller Photo Award exhibition
With a career that spanned seven decades, Robert Delpire, who passed away on 26 September, will be remembered as one of photography’s biggest champions in the 20th century. Best-known for founding the Editions Delpire, which published the work of artists such as Cartier-Bresson, Doisneau and Robert Frank, he also co-founded the Jeu de Paume, set up the Fondation HCB, ran an advertising agency, art directed a magazine and much, much more.
This year’s 30 nominees are a celebration of some of the best contemporary photography. But whose work deserves to win?
“The Beatles were inspired by different things on that album: it was created out of everyday things and everyday notions, even though people view it as a psychedelic masterpiece,” says Dean Chalkley ahead of a new exhibition launching in Shoreditch this week. His collection, Reverberation, takes its inspiration from Sgt Pepper’s Lonely Hearts Club Band, 50 years on from its release. Just like the original album, Reverberation is set to take people on a treasure hunt to find hidden meanings out of everyday realities.