Japanese photographer Daido Moriyama has won the 2019 Hasselblad Foundation International Award in Photography, which is worth SEK1,000,000 (approximately £80,700). Moriyama will now have a show at the Hasselblad Center in Gothenburg this autumn, and a new book of his work will be published by Walther König. Born in Osaka in 1938, Moriyama studied photography under Takeji Iwamiya before moving to Tokyo in 1961 to work as an assistant to Eikoh Hosoe. Producing a series of images titled Nippon gekijō shashinchō [published in English as Japan: A Photo Theater], Moriyama created an impressionistic take on the dark side of urban life that soon became synonymous with Provoke magazine, a publication he helped produce in 1969. Celebrating images that were “are, bure, bokeh” [“grainy/rough, blurry, and out-of-focus’], and giving a critical view of post-war Japan, Provoke was short-lived but profoundly influential both at home and abroad. Moriyama is still creating new work, however, recently telling that Hasselblad Foundation that “It’s fun!”. “I just take photos, or want to take photos, so to do that, because my photos are snapshots …
Just Another Photo Festival is a photography, film, and new media festival based in Kolkata; here its co-founders, photographers Poulomi Basu and CJ Clarke, pick out what caught their eye this year
BJP’s annual Cool + Noteworthy issue is back, presenting the people, places and projects that have caught our eye over the past year.
Among this year’s noteworthies is the photographer behind our cover story, Tyler Mitchell, who became the first black cover photographer of American Vogue when he shot Beyoncé for the September 2018 issue. He tells the BJP about his new-found mission since returning home after living in London: “I realised I have a responsibility to be, specifically, a black American photographer and filmmaker.”
We also spotlight Kensuke Koike, a Japanese collagist who gives new life to old photo albums. Koike has attracted a loyal following on Instagram with his savvy cut-and-move videos, making his latest book one of the most anticipated on 2018. Feng Li is another newcomer who has made waves in fashion photography over the past year. This issue we feature Li’s playful fashion shoot in his native Chengdu, a creative city on the rise in China.
Photography is often considered a solitary pursuit, but the Ryerson Image Centre (RIC) in Toronto, Canada hopes to overturn this conception with a research project led by artists, scholars, and curators such as Ariella Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, and Laura Wexler. Now an exhibition at RIC called Collaboration: A Potential History of Photography is putting their work on view. Featuring approximately 90 photographic projects the work on show demonstrates some of the many ways photographers have collaborated with their subjects and other participants. It includes Wendy Ewald’s Reciprocating in Arabic installation, which combines image and text in an attempt to show the experience of walking through the Arabic language, and WEB Du Bois’ The Potential of the Archive I, a look into the history and present challenges of black America, among many other projects.