Directors of leading London institutions Fiona Rogers, Hannah Watson and Shoair Mavlian go live to discuss the photography industry’s response to COVID-19
Silvia Rosi and Theo Simpson have won the UK’s Jerwood/Photoworks Awards for emerging photographers. Each receives £10,000 to make new work plus an additional fund of £5000 and print support from Spectrum Photographic, plus high-profile mentoring and a two-person exhibition that will start at the Jerwood Space in January 2020 and travel throughout the UK.
Born in 1992 in Scandiano, Italy, Rosi is a Togolaise/Italian artist living and working in London. Graduating from the London College of Communication in 2016 with a BA in Photography, she makes work that references the West African studio portrait to explore her family and its experience of migration. Born in 1986 in Doncaster, Theo Simpson lives and works in Lincolnshire, UK, and has shown his work at institutions such as FOAM in Amsterdam, and Webber Gallery, London. His work considers the long game and the transformations of the globalising world, and has previously been published on bjp-online www.bjp-online.com/2017/02/theosimpson/
“I’m usually looking for things that surprise me, things that have a deeper significance, a sense of humour, I suppose. I’m always open to what happens in life, because it tends to be more interesting than anything you can imagine.”
Dr Yasufumi Nakamori has been appointed new senior curator, International Art (Photography) based at Tate Modern, heading up the development of Tate’s collection of photography and programme of photography exhibitions and displays. He’s taking up the post in October, filling the gap left by Simon Baker back in January (when he became director of the Maison Européenne de la Photographie in Paris).
For the last two years, Nakamori headed up the photography and new media department at the Minneapolis Institute of Art, staging exhibitions with image-makers such as Omer Fast, and making key acquisitions “which transformed and diversified the museum’s photography collection”. From 2008-2016 he was curator of photography at the Museum of Fine Arts, Houston, where he created exhibitions such as Katsura: Picturing Modernism in Japanese Architecture, Photographs by Ishimoto Yasuhiro (which won the 2011 Alfred H. Barr Jr. Award for Smaller Museums), and For a New World to Come: Experiments in Japanese Art and Photography, 1968-1979.
Seven European festivals make the best of their locations and the late-summer timing to show off al fresco programmes this September – Visa Pour l’Image, Getxophoto, BredaPhoto, Festival Images Vevey, Landskrona Foto Festival, Guernsey Photo Festival, and Brighton Photo Biennial
When he joined Tate Modern in 2009 he was Tate’s very first photography curator – but now Simon Baker is on the move, succeeding Jean-Luc Monterosso as the director of the Maison Européenne de la Photographie in Paris. Monterosso, who founded the MEP back in 1996, will leave the institution on 31 March. The news comes just weeks after Shoair Mavlian, assistant curator at Tate Modern, announced she was leaving the institution to become Photoworks’ new director. In October 2017 Kate Bush joined Tate Britain as its adjunct curator of photography, however, responsible for “researching and building the collection of British photography and curating exhibitions and displays”. In September 2017, Tate announced that it had acquired Martin Parr’s 12,000-strong photobook collection, making it one of the leading institutional collectors in this field.
“I’m thrilled to be given the opportunity to lead an organisation I have admired for so many years,” says Shoair Mavlian of her new role, director of Photoworks. “I look forward to working with the team, developing partnerships and supporting artists at local, national and international levels to connect new audiences with photography.”
“Where are ‘we’ going as a collective society?” That’s the question posed by this year’s Getxophoto Festival, back for its 11th edition under the stewardship of new artistic director, Bilbao-born Monica Allende. The festival, which opens on 31 August and runs until 01 October 2017, comprises 20 main exhibitions, many of them outdoors, and a lively programme of activity and events unfurling around the coastal town of Getxo in the Basque country. “‘Transitions’, the theme for the next three instalments of the festival, starts from the idea that we are entering “a period of post-globalisation”, says Allende, a former photo editor at The Sunday Times. “This concept has been on the fringes of debate for some time but is gathering momentum in mainstream discourse. “We see its effects through increased polarisation of political debate around the threats of climate change, the refugee crisis and the rise of nationalist populism. This is a moment of major uncertainties, where the status quo of the state and global free-market agreements are being questioned as solutions for a balanced …
“If you want to get your work seen and your talent celebrated you should look no further!” says Mimi Mollica, photographer and founder of the Offspring Photo Meet. “Photo Meet has become the hub photographers needed in London. With portfolio reviews, talks, workshops, projections, great offers and our beefed up Best Portfolio Award, the two-day event will be fun and inspirational.” Launched in 2015, Photo Meet returns to Hackney’s Space Studios on 12 and 13 May with a stellar lineup of photo experts, including a portfolio review including experts from Tate Modern, British Journal of Photography, The Photographers’ Gallery, The Observer, FT Weekend Magazine, Vice, and agencies, production companies, galleries, and publishers. Rising photographic stars Juno Calypso and Francesca Allen will join Tate Modern curator Shoair Mavlian on Friday evening to discuss making work in the internet era, plus rewriting the boundaries of the representation of sex, gender and identity. Jörn Tomter and Luke Archer will host the Saturday Beer O’Clock, presenting their self-produced and self-published magazines, Loupe magazine and I love Chatsworth Road. Laura El-Tantawy show her new …
Our March workshop explores photography and the art market, where participants will learn about approaching galleries and exhibiting work, print sales and editioning, exhibition licensing and design, national collections and programming across national institutions. Speakers include: Max Pinckers (Magnum photographer), Shoair Mavlian (Assistant Curator, Tate Modern), Chris Littlewood (Photography Director, Flowers Gallery), and Sophie Wright (Global Cultural Director, Magnum Photos). For emerging photographers, entering the art market can be a daunting prospect – creating relationships with galleries, learning the best ways to exhibit your work and finding out how to sell your images are all crucial. At our upcoming workshop, speakers such as Tate’s Shoair Mavlian will help photographers learn more about all aspects of a detailed process. “often it is the quieter works which pull you in and take you on a journey that are most memorable. A great exhibition gets all the key things right: concept, selection of images, printing, installation etc.,” says Mavlian. “There are so many things to think about and it is the small details that make something stand out.” For …