Our pick of the key stories from the past week, including interviews with World Press Photo-nominated photographers, details of Bangladesh’s Chobi Mela festival, plus Piero Percoco on his wildly successful Instagram The Rainbow is Underestimated
A group show of contemporary Czech photography, Tender is dedicated to work that “registers vulnerabilities of people and their environments – the bruises on the fruit”. The selected photographers include image-makers such as Tereza Zelenková, Vendula Knopová, and Hana Knížová, for example, who adopt widely varying styles but can all be seen to investigate this idea in their selected work.
“Remember, ‘tender’ also means a bid and this exhibition is a part of a program established to promote the Czech Republic abroad,” write the exhibition curator Michal Nanoru. “Are you going to accept the offer?”
Hunger is an experimental project based on Franz Kafka’s short story, A Hunger Artist, about the once-glorious, but now dying, art of performers who starved themselves. Curated by Greek publishing house Void, it involves the work of 28 photographers, both established and up-and-coming, presented in seven broadsheet publications, and in an online exhibition on PHMuseum.com.
Photography critic for The Guardian, Sean O’Hagan picks out the projects that intrigued him most this year – including the series No More No Less © Kensuke Koike & Thomas Sauvin
What do Sophie Calle, Rineke Dijkstra, Susan Meiselas, and Hannah Starkey all have in common? They’re all on the list of 100 contemporary women photographers picked out by the UK’s Royal Photographic Society, after an open call for nominations. Over 1300 photographers were recommended to the organisation by the general public, which was slimmed down by a judging panel headed up by photographer Rut Blees Luxemburg.
The final list includes well-known names but also less recognised image-makers such as Native American artist Wendy Red Star, Moscow-based photographer Oksana Yushko, and Paola Paredes from Ecuador. Each Heroine will be awarded a Margaret Harper medal, named after the first female president of The Royal Photographic Society, and the first female professor of photography in the UK. An exhibition and accompanying publication will follow, all part of a bid to highlight women working in what is still a male-dominated industry.
“Although it was a truly challenging exercise having to consider 1300 women, being a part of the jury for Hundred Heroines was ultimately an incredibly stimulating and inspirational process,” says Luxemburg. “This final list reflects both the global expanse of female practice and the intergenerational input into contemporary photography. It reflects the wide range of methodologies, practices and diverse approaches of women working with the photographic medium. This is a moment of change and this list of heroines pays heed to it.”
Silvia Rosi and Theo Simpson have won the UK’s Jerwood/Photoworks Awards for emerging photographers. Each receives £10,000 to make new work plus an additional fund of £5000 and print support from Spectrum Photographic, plus high-profile mentoring and a two-person exhibition that will start at the Jerwood Space in January 2020 and travel throughout the UK.
Born in 1992 in Scandiano, Italy, Rosi is a Togolaise/Italian artist living and working in London. Graduating from the London College of Communication in 2016 with a BA in Photography, she makes work that references the West African studio portrait to explore her family and its experience of migration. Born in 1986 in Doncaster, Theo Simpson lives and works in Lincolnshire, UK, and has shown his work at institutions such as FOAM in Amsterdam, and Webber Gallery, London. His work considers the long game and the transformations of the globalising world, and has previously been published on bjp-online www.bjp-online.com/2017/02/theosimpson/
For Czech photographer Tereza Zelenkova, it is the stories behind the images that fascinate her. “I guess a good way of looking at some of my works is as if they were illustrations for a book that does not exist,” says Zelenkova, whose work will be shown in two upcoming solo shows in Amsterdam
“It’s amazing how such a seemingly simple, common and universal concept as ‘home’ actually becomes incredibly complicated and difficult to pin down, once you really start to consider it on a personal level,” says Aaron Schuman, curator of this year’s JaipurPhoto festival in India, which is themed Homeward Bound. After discussing with the festival’s artistic director, Lola MacDougall, he discovered that JaipurPhoto was originally established as an “open-air travel photography festival”, a label he was initially wary of. For him, the term travel photography “generally alludes to a type of imagery that’s often rather simplistic, generic, stereotypical or predictable”, he says – but he liked 2017 edition of the festival, which was guest-curated by Federica Chiocchetti and themed Wanderlust.