Photobooks have been booming for the last ten years or so but one prize has been there for the last 49 years – Les Prix du Livre at Arles, which was set up at the same time as the Rencontres d’Arles festival. With its long history and prestigious jury, which is this year overseen by FOAM director Marloes Krijnen, the Prix du Livre are some of the best-respected in photography.
Three Prix are up for grabs in three categories this year – the Historical Book Award, the Author Book Award, and the Photo-text Book Award, each of which come with a €6000 prize to be shared between the photographers and their publishers. The books are on show at Arles until 23 September, and the winners will be announced in the opening week.
Last time I spoke to Polish photographer Rafal Milach, he told me that protesting the alarmingly fast political changes brought about by the PiS (Law and Justice) government felt like his new hobby. And he reiterates this today, speaking of the “permanent state of demonstration”. In summer 2016, he was invited to participate within the Kolekcja Września residency programme, which each year selects a photographer to produce a body of work reflecting on town life. Milach and his Sputnik colleagues have been amassing an archive of found and newly shot photographs from the post-communist Eastern Bloc for their Lost Territories projects, so he was naturally drawn to the town’s historical material. He was also aware of a children’s protest that had taken place there at the turn of the 20th century, when western Poland was under German occupation.