Employing photographic, printmaking and engineering techniques, Simpson’s multilayered works are informed by social, political and economic impulses of the past and present
Silvia Rosi and Theo Simpson have won the UK’s Jerwood/Photoworks Awards for emerging photographers. Each receives £10,000 to make new work plus an additional fund of £5000 and print support from Spectrum Photographic, plus high-profile mentoring and a two-person exhibition that will start at the Jerwood Space in January 2020 and travel throughout the UK.
Born in 1992 in Scandiano, Italy, Rosi is a Togolaise/Italian artist living and working in London. Graduating from the London College of Communication in 2016 with a BA in Photography, she makes work that references the West African studio portrait to explore her family and its experience of migration. Born in 1986 in Doncaster, Theo Simpson lives and works in Lincolnshire, UK, and has shown his work at institutions such as FOAM in Amsterdam, and Webber Gallery, London. His work considers the long game and the transformations of the globalising world, and has previously been published on bjp-online www.bjp-online.com/2017/02/theosimpson/
“It’s got nothing to do with Brexit or Europe!” says curator Greg Hobson. “I think we can’t begin to understand that yet. It’s just being addressed by photographers now. We’re discussing the exhibition A Green and Pleasant Land – British Landscape and the Imagination: 1970s to Now, which he’s curated with Brian Cass, head of exhibitions at Towner Art Gallery, and which recently opened at the Towner. Including over 100 works by 50 artists (52 if you count the people in duos separately), it’s a major survey of the land we live on and how photographers have shown it, including image-makers such as John Blakemore, Thomas Joshua Cooper, Fay Godwin, John Davies, Paul Graham, and Theo Simpson.
Theo Simpson lives and works in the North of England, where he is an associate lecturer at Sheffield Hallam University. He has published several books, including Eleven Miles of Derbyshire Power Lines, A Survey of Operational Deep Coal Mines in the UK, and What We Buy. He has shown work in The Naughton Gallery at Queens, Belfast; SIA Gallery, Sheffield; Royal Institute of British Architects, London; Fotomuseum, Winterthur, Switzerland; and currently has a solo show, The Land of the Day Before, at Webber Gallery, London. BJP: What do you hope to show with your photography? TS: I’m interested in showing an alternative communication of the landscape around me – to reconsider and re-imagine it, as a site for new opportunity and possibilities. What I’m attempting is a more honest and progressive way of thinking about these specific environments. BJP: What are you showing in the Webber exhibition? TS: My work method involves bringing together different approaches and strategies for examining the landscape. This methodology involves observing the surrounding land over a prolonged period of time and examining how …