Publications we loved, and the big news stories from the last month in photobooks, including American Winter by Gerry Johansson, Void’s Hunger project, and JA Mortram’s Small Town Inertia
Our pick of the key stories from the past week, including Paris’ Circulation(s) festival of emerging European photography, the first-ever Kyiv Photo Book festival, and Todd Hido’s Bright Black World
To look through Todd Hido’s lens is to view the world darkly. The San Francisco-based photographer’s entire oeuvre of compelling visual narratives is shrouded in inky obscurity, and in this regard, his latest work is no exception. The difference is that for the first time he has departed from his usual territory of suburban landscape and its relation to his own troubled childhood. Instead Bright Black World results from extensive travels abroad, and is steeped in a deep sense of pessimism about the future from the perspective of the present, attempting to “photograph the darkness that I see coming”.
There is something universally foreboding and immense happening here; work that captures nature on an awesome scale. And yet it can be read as a metaphorical measure of our individual existential lives, a dark poem alluding to our preconditioned mortality. His landscapes are magnificent in their brooding seduction, inspired by Norse mythology and the concept of Fimbulvetr – the long, harsh winter that precedes the end of Earth. Hido travelled to places he’d never visited before to capture these spectacles of natural devastation and melancholy, including the chilly vistas of the Norwegian tundra.
In our latest issue, Nature, we speak with Lena C Emery about her latest work, Yuka & The Forest, which draws on Japan’s powerful cultural connection to forests. Todd Hido’s latest series, Bright Black World, presents a more chilling vision, showing icy landscapes that suggest a impending environmental disaster. Yoshinori Mizutani takes on the genre of nature photography, meanwhile, proposing a fresher approach to images of wildlife with his series HDR_nature. We also offer an insight into the latest technology trends to emerge from the Photokina trade show.
It’s the biggest and best-respected photo festival in the world – it’s Arles and it’s back from 02 July-23 September, with a special opening week from 02-08 July. With the blessing of the French Minister of Culture François Nyssen – who declares that “Arles wouldn’t be Arles without photography” in her welcome to the festival – the 49th year of the festival is lead by director Sam Stourdzé, who took over its organisation in October 2014. As you might expect, the momentous events of May 1968 are commemorated at Arles this year, with a group of exhibitions titled Run Comrade, The Old World is Behind You. Considering events such as the student demonstrations and strikes in France, and the assassination of Robert F Kennedy that year, this section includes shows such as 1968, What a Story! which uses previously unseen images from police archives, Paris Match and Gamma-Rapho-Keystone. Elsewhere Arles looks to the future with a group of shows titled Augmented Humanity which includes work by Cristina de Middel & Bruno Morais, Matthieu Gafsou and Jonas Bendiksen; and in the Emergences section, which includes the ten photographers included in the New Discovery Award this year.
For three days this week, from 22 to 24 September, the Dutch capital will host the sixth edition of Unseen Amsterdam. With an extensive and exclusive programme, the event prides itself on incubating and exhibiting photography from both established and emerging artists. This year is no different: the old gasworks factory, the Westergasfabriek will host more than 53 international galleries with new additions from Mexico and Lebanon, showing over 160 artists and about 80 ‘premieres’ – brand-new work that will make its debut at the fair, featuring projects by Todd Hido, Gregory Halpern, Peggy Franck and Ricardo Cases. Founded in 2012, the event has always been keen to embrace elements and experiments beyond its primary identity as a fair. This year the Unseen Photo Fair & Festival has become Unseen Amsterdam, drawing together the fair, book market, speakers programme, onsite projects and exhibitions, talent awards, city programme, magazine and website under one umbrella. This change is a move to becoming a multi-faceted photography platform that will function throughout the year with smaller events abroad. A …