Publications we loved, and the big news stories from the last month in photobooks – featuring work by Peng Ke, Tom Wood, Paul Reas, Vivian Maier and the post-war PROVOKE group
BJP-online Loves Lei Lei and Pixy Liao win at the 2018 Jimei x Arles festival
bjp-online has been following both Lei Lei and Pixy Liao for a while, so we were happy to see them both win prizes at the Jimei x Arles festival. Lei Lei picked up the Jimei x Arles Discovery Award, giving him 200,000 RMB plus a spot in Arles’ prestigious Discovery Award exhibition and competition next summer; Pixy Liao won the Jimei × Arles – Madame Figaro Women Photographers Award. And bjp-online loves the Jimei x Arles initiative in general, which is packed with interesting work by image-makers from China and beyond. Plus six other key stories from the last week
Almost every Saturday between 1978 and 1999, Tom Wood travelled from his home in New Brighton by ferry and bus to Great Homer Street market, just outside Liverpool city centre in the North West of England. He would spend the morning there photographing the mothers and daughters, kids dressed in matching blue and lilac tracksuits, teenagers chatting away with their curly hair swept up into side-ponies, and grandmothers haggling for of a string of pearl necklaces or a second-hand coat. In the afternoon he’d travel on to either Everton or Liverpool football ground, then back on the bus and ferry, taking pictures every step of the way.
”God knows how many photographs I took,” he says. “When I first began photographing in Liverpool I was just overwhelmed by the people and the place. It was an exciting place to be, I fed off the energy there.”
“I was the first to move to New Brighton, and it was by sheer chance,” says Tom Wood. “I studied fine art part-time [a Fine Art Painting BA at Leicester Polytechnic], then went back to the car factory where I had worked before. Then I found a job as a photo technician at the poly [now Wirral Metropolitan College, where he went on to teach], and we moved there in September 1978.”
Thus began a golden age for photography in New Brighton, which lasted until 2003 when Wood moved to his current home in North Wales. In the intervening 25 years, Ken Grant also lived in New Brighton from 1992-2002, studying for a spell at Wirral Met, and Martin Parr was based just 20 minutes away from 1982-1985. Between them the three photographers created a huge body of work on the seaside town, which is based just across the River Mersey from Liverpool in North England.
“Back in 2005, I made a list of possible subjects to photograph and taking photos at a horse racing meeting was top of the list,” says Martin Amis, who first went to the races as a child with his father. “I have vivid memories of these childhood days out; the sea of interesting faces, the hubbub of activity and the thrill of winning.” When he started Amis had no plans to make a book but, after taking a break from the project in 2009, he realised it had the potential. Now he’s finally launching The Gamblers, which he’s made with RRB Publishing. “I put together a dummy version back then, but this was a time when the photobook business really started to take off, so I left it as a work-in-progress,” he says. “I mentioned the project to Rudi Thoemmes at RRB in 2016, and with his encouragement I decided to revisit the work and shoot more material to finish the book.” The photobook business he mentions is his online shop, Photobookstore.co.uk, which he set …
As a young man in the late 1970s and 80s, Tom Wood regularly found himself among the crowds waiting for the ferry at Liverpool’s Pier Head. Commuters weary after a long day’s toil, elderly couples gazing out at the Mersey in comfortable silence, teenage girls sporting shell suits, hair swept into side ponytails. “There were always loads of people at the Pier Head because it’s a terminus for the whole of Merseyside,” Wood says. “Coming home I’d find I’d just missed a ferry. You’ve got at least 20 minutes to wait for the next one so what do you do? You take pictures.”
Preconceptions and stereotypes about Northern England are so entrenched that it can be hard to know how they got there, but curators Lou Stoppard and Adam Murray hope to change that this winter with a show examining how photography, fashion and art have developed in the region over the last century. And in doing so, they hope to demonstrate – and celebrate – North England’s immense influence on global culture and style. Running from 08 November-04 February at Somerset House, North: Fashioning Identity continues a show that Stoppard, SHOWstudio’s editor-at-large, and Murray, academic and lecturer at Manchester School of Art and Central Saint Martins, exhibited at earlier this year. Featuring over 100 works, the exhibition includes fashion photographers such as Alasdair McLellan, Corinne Day, David Sims, and Glen Luchford, but also documentary photography dating from the 1930s to the present day.
Martin Parr has found a permanent home for the foundation he set up in 2014, giving visitors access to his archive and to his formidable collection. “I’ve been very lucky,” he told BJP’s Gemma Padley. “I have secured a very good living from doing this, and so the foundation is a great way to feed some of that back into the system.”
Martin Parr, Bill Brandt, Karen Knorr, Shirley Baker, Brian Griffin, Daniel Meadows, Chris Steele-Perkins, Mark Power, Tom Wood, Roger Mayne, and Tony Ray-Jones are all showing work in a new exhibition hosted by Burberry during London Fashion Week (and beyond). Installed over three floors in Burberry’s new show venue – the 18th century, Grade 2-listed Old Sessions House in Clerkenwell, London – Here We Are will include over 200 images by more than 30 photographers from 18 September-01 October
Portrait of Britain is inviting photographers to submit images that reflect the unique heritage and diversity of our country and show the face of modern Britain. 100 winning portraits will be selected for a public exhibition showcased nationwide in September 2016. DEADLINE TONIGHT – enter now. We’re asking portrait photographers what goes into making the perfect portrait – this week we hear from Francesca Allen. In your view, what makes a compelling portrait? Colours, emotion, movement. I like to see that the image was part of a wider story, rather than someone sitting on chair for half an hour. There’s no recipe for a perfect portrait. The most beautiful portraits are those with a thumb over the lens and a blinking subject – what could be more honest than that moment of accidental unawareness? What attracts you to a potential subject? I’m fascinated by the different ways people react in front of the camera, either by becoming totally in control of themselves or regressing into shyness. It’s a way of learning about myself too. I think that’s …