“If you’ve been to Morocco I think you’ll understand that we’re a very colourful country, a colourful people. We see every colour being worn. In Morocco that there is the clash of colours and an attitude not to be scared of colours,” says Hassan Hajjaj. His latest exhibition, La Caravane, is about to launch at Somerset House, the first display for the British-Moroccan photographer in London in seven years. His work reflects on identity and culture, which has featured as a big part of his life and work since moving to the UK from a small port town in Morocco aged just 13.
“This portrait does not simply show a man who earns a living as a tattoo artist but the reason why that living is so important to him – his family,” says Jamain Gordon, reflecting on the portrait of Ricardo and his daughter outside their home and tattoo parlour in the South American country of Guyana. “It was Ricardo who wanted to have his daughter in the photograph and the warmth of their relationship can clearly be seen.” The image is now featured in a photobook, One People, One Nation, One Destiny, which shows the traditions and culture of this small but proud country.
“There was Hiroshima, Nagasaki and the American occupation but also the uprising of students and farmers against the seizure of land for Narita Airport. It all unleashed the desire of the young generation to say that they had enough,” says Manfred Heiting as he introduces The Japanese Photobook. In a century of vast changes, from traditions to technology, empire to war, the photobook became an institution in its own right in Japan, documenting the history of the country as it happened.
The Forest Finns, an officially recognised minority culture in Norway, arrived in the Finnskogen area in the early 17th century, bringing their traditions to the remote forests.Terje Abusdal’s series, Slash and Burn, which has now been named the winner of the Leica Oskar Barnack Award 2017, reveals their customs and questions identity and migration in the region.