Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who’ve made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.
Think about conspiracy theories and the initial topics that come to mind often occupy a realm that’s beyond an everyday belief system – stories such as the Loch Ness Monster, Bigfoot or similar tales that are better contextualised as ‘urban legends’. While those stories might not have much truth to offer, there are many other theories within the category that, although fantastical, contain far more fact than fiction. These include the secretive workings of those in power which lead to a mutual feeling of suspicion between the authorities, government and citizens.
What is arguably more interesting than the concepts themselves, however, is the way that some individuals compile their own investigative research on suspicious topics, creating accessible and expressive visuals soaked in data, philosophy, and their take on the truth. From 18 September to 06 January, The Met Breuer in New York will exhibit the expansive show Everything Is Connected: Art and Conspiracy, featuring 70 works by 30 artists who represent an alternative to postwar and contemporary art from 1969 to 2016. The media presented in the exhibition includes painting, sculpture, video, installation art and, of course, photography.
In July 2016, Diamond Reynolds’ partner was shot dead by a police officer during a traffic-stop in Minnesota. Reynolds used Facebook Live to broadcast the moments after the shooting, creating a video that became widely circulated, amassing over six million views, and which was also played to a jury as evidence in June 2017 – in a court case which saw the officer acquitted of all charges. In November 2016, Thompson invited Reynolds to collaborate on a project that would portray her in a different way to the original, publicly-consumed image. The resulting 35mm film, autoportrait, shows Reynolds apparently deep in thought and seemingly unaware of the camera, and is presented as a large-scale installation without a soundtrack. First exhibited in London’s Chisenhale Gallery in 2017, it’s been picked out of the winner of the £30,000 Deutsche Börse Photography Foundation Prize 2018, over the three other shortlisted artists – Mathieu Asselin, Rafal Milach, and Batia Suter.