Brussels-based photographer Rebecca Fertinel has won the Unseen Dummy Award with her book Ubuntu. The book was shot in a Congolese community in Belgium, which Fertinel first visited in August 2015, when she was invited to a wedding by a friend. Whilst there she was introduced to a warm and friendly society, and the concept of “ubuntu” – the idea that “you become a human being by connecting with everything and everyone”.
The judges were particularly impressed with the editing of Fertinel’s book proposal which, they say, “transforms documentary photography into an unexpected narrative flow of community events”. The images move from one party to another party to a funeral, for example, the latter creating “a kind of breaking point” in the middle of the book, creating “a kind of dance where you don’t know what comes after”, and thereby summing up something about life.
Unseen Amsterdam has announced the 34 photobook dummies shortlisted for the Unseen Dummy Award 2018. Picked out from 212 submissions by a five-strong committee, the shortlist respects “a degree of rawness, including an ‘unfinished’ look and feel’, in keeping with the prize’s ethos of celebrating books-in-progress. The winner will be announced on 21 September at Unseen Amsterdam, after being picked out by an international jury including: Paul van Mameren, managing director of the award’s sponsor Lecturis; Sarah Allen, assistant curator, Tate Modern; Tim Clark, editor-in-chief and director, 1000 Words; Russet Lederman, co-founder, 10×10 Photobooks; and Małgorzata Stankiewicz, winner of the Unseen Dummy Award 2017. Stankiewicz’s winning book dummy, cry of an echo, was published by Lecturis in May. Showing the Białowieża Forest, the last remaining primeval forest in Poland, Stankiewicz used several unusual interventions when processing her images – including masking, uneven development, and even bleaching – to protest against the intensive logging which has been allowed in the forest by new legislation passed in 2016. Unseen Amsterdam takes place from 21-23 September at Westergasfabriek https://unseenamsterdam.com
“When I became a parent, I had the idea to make a photographic book for children,” says Russian photographer Andrey Ivanov, who has won the Photobookfest Dummy prize. “I started to photograph subjects and images of Russian fairy tales. At first it was a series of purely staged photos, but then I began to notice that some of the documentary photos I found fitted perfectly into this fabulous series.
“The fairy tale is the most authentic source of Russian archetypes. As the saying goes: ‘A fairy tale is a lie – yet there is a hint in it, a good lesson to good fellows’. The viewer follows the photographic tracks of the main hero of the fairy tale, referring to the cultural codes of the collective unconscious, and guesses or recognises the fairy-tale images, or hints of them.”
The Madrid-based photography correspondent reports on the Spanish top five of 2017 – including Álvaro Laiz’s The Hunt
The Unseen Dummy Award, one of the biggest prizes at Amsterdam’s Unseen Photography Festival, will give the winning photographer entry into the international photography industry.
Amsterdam’s annual celebration of photography Unseen Photo Fair closed for the year earlier this month, but not before showcasing some of the most interesting work in contemporary photography. During the fair and festival, Yoshinori Masuda won the Unseen Dummy Award for his photobook, Tiger 2. For his project, the Japanese photographer visited a zoo to depict two tigers in a state of repose, hinting at ideas around the dangerous state of nature and the unsettling power of the gaze. Much of Masuda’s thinking behind Tiger 2 was influenced by an eclectic jumble of high-minded influences, including mathematical laws and scientific theories, but he was initially prompted by the simplest of reasons: “I was attracted by [the tigers]. Therefore I photographed them.” Masuda was immensely grateful for receiving the award, but as he tells the BJP, the most pleasing aspect of the award is the larger audience the prize affords: “I just want people to have the book in their hands, and enjoy it until it falls apart.” Masuda was chosen by an international jury, consisting of …