All posts tagged: Werner Bischof

The unseen work of Werner Bischof

Cola and cigarette advertisements, a man scaling San Francisco’s Golden Gate Bridge, the fuzzy bright lights of Broadway. This is some of the iconography that makes up Werner Bischof’s collection of colour photographs from early 1950s America. Alongside them are images of everyday life; the shadow of a tree on a brick building, a car in snowfall, and workmen constructing a highway bridge in California. The work is going on show for the first time, in an exhibition devoted to his USA series at David Hill Gallery. Bischof was the first non-founding member to be welcomed into the then-fledgling Magnum collective, in 1949 joining Robert Capa, David  Seymour, Henri Cartier-Bresson and George Rodger. He had already become recognised for his pioneering use of colour photography, and was one of the first documentary photographers to take the format seriously. At the time of joining Magnum, most of Bischof’s contemporaries still predominantly worked in monochrome, a trend that continued well into the 1960s. USA is a series of work that brings early 1950s America vividly to life, …

2019-06-07T09:56:44+00:00

80 years after the Retirada

In 1939, Spanish refugees started to flee the country’s bitter civil war, in a movement that’s become known as the Retirada [the ‘withdrawal’]. More than 450,000 men, women, and children crossed the border into France in February 1939 alone, following the fall of the Second Spanish Republic and the victory of General Franco. France, anticipating the mass migration, had started to make provisions for the refugees, but underestimated the sheer numbers. Many ended up on the beaches in makeshift accommodation, and by 1940, some 50,000 had ended up in a series of camps. Diseases such as dysentery were rife, and the mortality rate high.

One of the camps was Camp de Rivesaltes, also known as Camp Maréchal Joffre. Built in 1938, near Perpignan and just 40km from the Spanish border, it had originally been intended as a military base but, following the Retirada, the French government decided to use it as an internment camp. By January 1941 was housing more than 6500 refugees though, as by then World War Two had broken out, half the camp was Spanish – the other half Jews who had fled various counties and French gypsies. In just under two years, the camp housed some 17,500 people, just over half from Spain, 40% Jewish, and 7% French gypsies.

2019-03-29T15:41:29+00:00

Magnum Retold goes on show in London, 05-09 December

It’s a commendable milestone by anyone’s standards – for 70 years, Magnum Photos has been at the forefront of documentary photography, photojournalism and visual storytelling, its members reporting on conflicts, crises and changes for humanity the world over. To celebrate Magnum’s long and rich history, the agency has devised Magnum Retold, a huge group project in which current members revisit stories by their predecessors. Photographers were invited to respond to an archival story that had influenced or inspired their practice in some way – a story that meant something to them personally, or a topical subject they wished to revisit. “There is a repository of amazing work, which is the 70-year-old legacy of these incredible photographers,” explains Magnum’s content director, Francesca Sears.

2017-12-01T12:33:24+00:00

Illuminating India shows off contemporary and archive photography at the Science Museum

Illuminating India: Photography 1857-2017, is the first exhibition to document the history of photography in India, and includes both archive and contemporary work. It includes images by India’s first known photographer Ahmad Ali Khan, pioneering art photographer Marahaja Ram Singh II, the country’s first female photojournalist, Homai Vyarawalla; and award-winning contemporary photographers such Magnum’s Sohrab Hura. It also includes images of India taken by non-Indians, including Henri Cartier-Bresson, Werner Bischof, Margaret Bourke White, Lucien Hervé, Mitch Epstein, Vasantha Yogananthan, and Olivia Arthur.

2017-10-06T11:48:16+00:00

Magnum photographers discuss their Conditions of the Heart

The connection between photographer and subject is a vital element in the power of an individual photograph. In turn, the image has the power to inspire, inform and communicate human engagement. In 1948, David ‘Chim’ Seymour would come to pioneer this visual form of emotional empathy through his work with UNICEF – following the children orphaned and scarred by the consequences of the Second World War. Working for six months on a dramatically reduced fee, Chim painstakingly travelled across Europe shooting 257 rolls of film, going beyond mere illustration of UNICEF’s work, the assignment became a labour of love, revealing his unique capacity to awaken the public’s conscience to war’s most vulnerable victims. His unapologetically compassionate approach reflected both his deep seated humanism and unique ability to treat those he photographed with equanimity, reverence and respect, developing a genuine human connection that would become emblematic of the engagement at the heart of documentary photography today. Chim’s photographs remain an indispensible part of history, creating a style of photography which has not only shaped the ethos of Magnum Photos …

2016-11-10T10:12:08+00:00

BJP Staff