“We do see that our industry is male-dominated, world-wide – though not within NOOR,” say the photographers of the NOOR agency, via their current president Andrea Bruce. “We are encouraged by the current discussions happening throughout the photo world around abuse of power. These are sometimes painful, but necessary.” Photojournalism is still male-dominated, that much is undeniable. But does it have a macho culture, as World Press Photo’s MD Lars Boering has said? Do male photojournalists and picture editors abuse their power? And if so, what’s being done about it? In the wake of the #metoo movement, and in particular after the recent allegations against Patrick Witty, one-time deputy director of photography at National Geographic, and Antonin Kratochvil, one of the founding members of VII, these have become key questions in photography, and the big agencies are getting on board. For David Kogan, as for Bruce, it’s a work in progress. He’s executive director of Magnum Photos, which introduced a Code of Conduct for both its photographers and staff at its last AGM in June. …
Nadia Shira Cohen has won the $10,000 Women Photograph + Getty Images grant for her work on the abortion ban in El Salvador – and the five grants of $5000 awarded by Women Photograph with Nikon have gone to Tasneem Alsultan, Anna Boyiazis, Jess T. Dugan, Ana Maria Arevalo Gosen, and Etinosa Yvonne Osayimwen.
Nadia Shira Cohen’s series Yo No Di a Luz documents the effect that the complete ban on abortion in El Salvador has had on women – particularly on those forced to give birth to children conceived as a result of rape. “Doctors and nurses are trained to spy on women’s uteruses in public hospitals, reporting any suspicious alteration to the authorities and provoking criminal charges which can lead to between six months to seven years in prison,” writes Shira Cohen. “It is the poorer class of women who suffer the most as doctors in private hospitals are not required to report.
Bruce Davidson has won a Lifetime Achievement prize in this year’s ICP Infinity Awards, which will be formally presented on 09 April. Best-known for his two-year project on the poverty-stricken residents of East 100th Street, Davidson joined Magnum Photos in 1958 and showed his work at the Museum of Modern Art in 1963. His work often documents social inequality, and includes iconic series such as The Dwarf, Brooklyn Gang, and Freedom Rides.