Our pick of the key stories from the past week, including a new book on London’s Thamesmead estate, an exhibition of Diane Arbus’ early work, and World Press Photo Foundation’s pick of the emerging photographers from Asia
The World Press Photo Foundation has announced the six talents from Asia in its ongoing 6×6 Global Talent Program. Aimed at picking out under-recognised visual story-tellers from around the world, the 6×6 programme is now on its sixth and final region in its first cycle. The photographers picked out this time are: Amira Al-Sharif, Yemen; Azin Anvar Haghighi, Iran; Saumya Khandelwal, India; Senthil Kumaran Rajendran, India; Shahria Sharmin, Bangladesh; and Yan Cong, China.
The image-makers were recommended by an international group of over 100 nominators, and selected by a jury comprised of: Ammar Abd Rabbo (Syria), photographer and journalist; NayanTara Gurung Kakshapati (Nepal), photographer and curator; Claudia Hinterseer (Netherlands), senior video producer South China Morning Post; and Kazuma Obara (Japan), photographer.
The World Press Photo Foundation has announced the six talents from North and Central America in its ongoing 6×6 Global Talent Program. Aimed at picking out under-recognised visual story-tellers from around the world, the 6×6 programme is now on its fifth region, out of the six identified around the world. This time, the talents picked out were: Dylan Hausthor, USA; Ian Willms, Canada; Mariceu Erthal García, Mexico; Nydia Blas, USA; Tomas Ayuso, Honduras; and Yael Esteban Martínez Velázquez, Mexico.
Each talent has been picked out for two stories: Hausthor, for example, submitting a project called Past The Pond, Setting Fires, about arson in small-town America; and Wood Grain Lick, a documentary and fictional look at life on the edges. Willms’ projects are As long as the sun shines, a story about oil sands extraction in northern Alberta, Canada, and its effect on the local community; and We shall see, about the death of his biker father. Mariceu Erthal García’s projects are Iriana, shot on a holiday in Cuba; and Letters to Gemma, about a young Mexican woman who disappeared seven years ago.
“One of our long-term aims is to help encourage the development of uniquely Asian approaches and perspectives to photography,” says Jessica Lim, director of the Angkor Photo Festival. “There is certainly more than enough talent in Asia for this to happen. Think of it as a postcolonial response that is very long overdue.”
Angkor Photo Festival returns for the 14th time to Siem Reap in Cambodia, a city known as “temple town” as it lies at the gateway to the magnificent ruins of Angkor Archeological Park. Several exhibitions will be dotted around the city, including one that will travel around on a tuk-tuk. The programme also includes artists talks, workshops, photo book displays and free daily portfolio reviews.
Three-time World Press Photo winner Lu Guang has been detained by national security offices during a visit to Xinjiang, according to his wife Xu Xiaoli, who last heard from him on 03 November. Lu Guang is a US green card holder whose documentary projects often focus on social, environmental and economic issues in China. According to reports, Lu flew to Urumqi, the capital city of Xinjiang region, on 23 October, where he had been invited by a friend to attend several photography events. He had planned to fly to Sichuan to meet another friend on 05 November, but on arrival, the friend was unable to find him. Lu’s friend contacted Lu’s wife, Xu, to find out his whereabouts, but she had not heard from him since 03 November. Xu then contacted the wife of Lu’s host in Xinjiang, and was told that both he and Lu had been taken away by national security. Xinjiang is a region that has recently become notorious for tight security controls and heavy police presence, amid widely-criticised operations to tackle what these …
Award-winning photographer Shahidul Alam has spent over 100 days in jail, but – according to Reuters and several Bangladeshi newspapers – has finally been granted bail by the High Court this morning. “We’re delighted that ultimately the court has granted him bail,” said his lawyer Sarah Hossain in the Reuters’ report, adding she expected her client to be out soon.
The 63-year-old photographer and activist was arrested at his home in Dhaka on 05 August, and was charged the next day with violating Section 57 of Bangladesh’s Information and Communication Technology Act (ICT), after giving an interview to Al Jazeera on the current wave of student protests in Bangladesh against unsafe roads. In the interview, he stated that these actions stemmed from anger about widespread government corruption, and the charges mean he faces up to 14 years in prison.
Born in 1993 in the Philippines, Ezra Acayan has won the 2018 Ian Parry Scholarship Award for Achievement for his series Duterte’s War On Drugs Is Not Over, which records the fall out from the war on drugs which President Rodrigo Duterte announced in 2016.
Threatening those connected to drug consumption and sales with the death penalty, Duterte urged members of the public to kill suspected criminals and drug addicts, and allowed the police to act with brutality. In the two years since, an estimated 20,000 people have been murdered and a state of emergency has been declared. The United Nations has appealed to the Philippine government to investigate extrajudicial killings and to prosecute the perpetrators, while the International Criminal Court has announced preliminary examinations into killings linked to the campaign.
Tough and hard-hitting, Acayan’s images aim to “illuminate the violent acts carried out in the Philippines as well as the questionable methods of Duterte and the police”.
It is difficult to unravel, in many of the stories that Max Pinckers tells, where fiction became unstuck from fact. Or how the characters in his photographs can look back out at the world so boldly, shake their heads at reality as most people see it, and tell stories that fly in its face. But for the Brussels-based photographer, the six curious individuals in his latest book, Margins of Excess – including a boy who compulsively hijacks trains, and a private detective with prosthetic hands – lead the way to understanding documentary photography’s role in the ‘post-truth’ era.
One such character, an American amateur inventor with a mane of silken hair, sat at the kitchen table of his home in Dunnellon, Florida and told Pinckers that he believed he had become the media’s new Osama bin Laden. “My name is Richard Heene. A few years ago I got into a bit of trouble,” said the forty-something showman, detailing the events that led him to end up behind bars.
Bangladeshi photographer and Drik Gallery director Shahidul Alam has reportedly been denied bail by a court in Dhaka.
Various local media outlets, including United News of Bangladesh, The Daily Star, and Bangla Tribune, have all reported that Judge KM Imrul Kayes of Dhaka Metropolitan Session Judge’s Court passed the order on 11 September. Public Prosecutor Mohammad Abu Abdullah moved against the bail petition, while Barrister Sarah Hossain stood for Alam – who filed the bail petition through his lawyers on 28 August, asking for it to be granted as he is ill.
A lauded photojournalist and founding member of VII Photo, Antonin Kratochvil has left the agency after a storm of controversy over his alleged sexual harassment of female photographers. Kratochvil was suspended from VII Photo in July after an investigation into sexual harassment in photojournalism by Kristen Chick was published in the Columbia Journalism Review. Chick’s lengthy article included various allegations that he had sexually harassed female members of the agency, both verbally and physically. Kratochvil has denied the accusations but, according to VII Photo, submitted his resignation to the agency on 24 August. VII Photo states that his resignation was immediately accepted, and it publicly announced his departure on 03 September. Kratochvil’s case comes hard on the heels of Patrick Witty’s departure from National Geographic, where the deputy director of photography’s inappropriate behaviour towards women photojournalists was the subject of an internal investigation. Both cases, and Chick’s article, can be seen as indicative of the soul-searching currently underway in photojournalism, a sector that even Lars Boering, managing director of World Press Photo has described as “macho”. Magnum Photos …