Beyond the cherry blossoms, festivals, and buzzing nightlife, Dan Bailey’s photographs of Tokyo offer a deeper discussion about Japan’s history and its sense of national and individual identity
Composed of hazy vignettes from his coming-of-age, Stephen Velastegui’s latest zine documents a transitory period of his life in Queens, New York
“The Soviet Union left a great heritage in various manifestations from architecture to people’s thoughts, and some are struggling to understand the new times,” says 22-year-old Ukranian photographer Vladyslav Andrievsky. “Often, because of this, the youth is struggling to find common ground with the elders.
“It’s obvious that there were many limitations when it came to one’s life or freedom. Today, when thinking about the Soviet Union, we are visualising it the way it could have been, not the way it was. Of course the fact that somebody could have been killed for a painting or a thought is shocking and devastating. Still, we are left with an enormous cultural heritage like art, literature, music, films, and we truly value that.
“Owing to people like Boris Mikhailov we can try to understand what life was like back then,” he continues. “In his book Case History he is showing homeless people like heroes, who are giving their lives for the brighter future of the new generations. As a young person I don’t want to be a let-down. I don’t want to upset Boris.”
“This exhibition doesn’t have any of the clichés people might expect Irish photography to have,” says Vivienne Gamble. “I want it to give a viewpoint of the country that a lot of people wouldn’t necessarily expect.”
The director of Peckham’s Seen Fifteen Gallery is talking about Triptych, an exhibition showing in Paris from 09-12 November in association with Centre Culturel Irlandais. The exhibition, which will be held across the three levels of the Espace Lhomond gallery just across the street from the CCI, features work by three of Ireland’s most promising photographers: Ciarán Óg Arnold, Megan Doherty and Martin Seeds, each of whom is showing photographs deeply rooted in their homeland.
“The Face had a different theme every issue and were planning an issue on sex, so Graham Rounthwaite [the art director] said ‘Can you photograph in clubs and sixth form parties and get an idea of young kids’ idea of love?’”says Ewen Spencer. The feature became a regular spot, sometimes shot by Spencer and sometimes by another photographer, a writer going along each time to talk to the kids they found. But it became an ongoing interest for Spencer, who started to pursue it in his own time as well as on commission, and images from the series have now been published as a book by Stanley Barker