All posts filed under: Awards

Organ Vida: Engaged, Active, Aware – Women’s Perspectives Now

Last week, a group of Croatia’s leading cultural pioneers welcomed the 10th jubilee edition of Organ Vida photofestival. Co-curators, Marina Paulenka and Lea Vene were joined by Nataša Ivančević, Paola Orlić, Morana Matković, Nevena Tudor Perković and Veljko Mihalić to address visitors and guests at the Museum of Contemporary Art in Zagreb for the grand opening, getting the festival underway for the tenth consecutive year. The opening of the festival signalled the announcement of the second annual Marina Viculin prize to photographer Denis Butorac. Using personal experience as a driving force behind his work, he focuses on family, intimacy and the sense of ‘(not) belonging’. Following the opening week, the exhibitions are now open to the public, free of charge, during  the month of September. Hosted by a number of galleries throughout Zagreb as well as in the Croatia’s biggest and most modern museum, the Museum of Contemporary Art, the works on display explore creative interpretations of the contemporary female experience. Each show follows the main theme, borne out of a desire to combat modern …

2018-09-21T17:29:14+00:00

Portrait of Humanity: Marc Moitessier’s photographic revolution

Marc Moitessier is a photographer from Marseille, France. His most recent, and perhaps most challenging, body of work is 36 Poses, a project borne out of his frustration with himself and the over-saturated photography industry. Ignited by the feeling that he was taking too many photographs, and no longer feeling excited by them, Moitessier set out to Beijing, where he didn’t speak the language, and with little more than his camera, a fix lense, and a single role of 36 exp film. The aim? To take a single photograph each day, a challenge so intense that after completing the project, Moitessier didn’t touch the photographs for ten years. The images themselves tell a different story. They capture quiet moments; a group of men playing cards in a local park, people slurping large bowlfuls of noodles, a guard smoking as he leans against the Great Wall of China. Perfectly composed, it’s difficult to believe that the photographs were taken in just a single shot – a testament to Moitessier’s craftsmanship. We spoke to Moitessier about how …

2018-10-11T17:27:49+00:00

Maxim Dondyuk: Culture of the Confrontation

Hundreds of people crowd in the city of Ukraine, wearing helmets and holding flags, while a fire breaks out. A person in white-gloves wipes the blood off the face of a young man. Police line up with their bulletproof shields; one stands on the bonnet of a van preparing to fire his rifle. Maxim Dondyuk is a documentary photographer. His 2013-2014 project, Culture of the Confrontation, showcases perspective-shifting images of Euromaidan, the three-month long protests that erupted in Ukraine against the government, characterised as an event of major political symbolism for the European Union.

2018-10-08T09:58:17+00:00

Max Pinckers wins the 2018 Leica Oskar Barnack Award

Belgian photographer Max Pinckers has won the prestigious Leica Oskar Barnack Award with his series Red Ink. He receives €25,000, plus a Leica M camera and lens.

Red Ink was shot in North Korea while Pinckers was on assignment for The New Yorker magazine, accompanying journalist Evan Osnos on a four-day trip in August 2017 – the height of the propaganda war with the US. Pinckers’ access to the country was heavily stage-managed by the North Korean government, which carefully set up scenes for him to photograph. Knowing that this would be the case, Pinckers shot the images with a flash, creating a sense of the artificial that tipped the scenes presented to him into the surreal.

2018-09-25T11:10:42+00:00

Arles is urged to include more work by women

Les Rencontres d’Arles is the most prestigious photo festival in the world – that’s beyond question. But according to a high-profile group of photographers, curators, and writers, there’s still more that it could do. They’ve got together to sign a public letter to festival director Sam Stourdzé, which urges him to include more exhibitions by women in the main programme at Arles, and which was published in the French newspaper Libération on 03 September.

The letter is signed by influential industry figures such as Iwona Blazwick, director of the Whitechapel Gallery; Victor Burgin, Professor Emeritus of History of Consciousness, University of California, Santa Cruz, and Emeritus Millard Chair of Fine Art at Goldsmiths College, University of London; collectors Claire and James Hyman; and Olivier Richon, Professor of Photography, Royal College of Art, London, as well as photographers and artists such as Clare Strand, Sunil Gupta, and Anna Fox.

2018-10-16T09:50:37+00:00

EyeEm announces this year’s 100 award finalists

EyeEm is currently the world’s largest photography competition, and this year it welcomed a record 700,000 entries. The submissions came from more than 100,000 photographers, hailing from over 150 countries, who have now been whittled down to 100 finalists. The daunting task of selecting the finalists from this number came down to a panel of industry experts that included Nik Schulte, Image Director of High Snobiety; Jose Cabaco, the Global Creative Concept & Storytelling Director at Adidas; Lucy Pike, Director of Photography at WeTransfer; and Sasha Dudkina, last year’s EyeEm Photographer of the Year, among others. Together, they selected the top 10 images from each of the nine categories, and the 10 shortlisted photographers for Photographer of the Year. Among the diverse categories are ‘The Architect’, ‘The Creative’, and ‘The Traveller’, with shortlisted images ranging from Juan Manuel Molina Avilés’ eerie photograph of a man with his head submerged under a tap in ‘The Creative’ category; Maxym Gorodetskyy’s depiction of far-right protesters baring #freetommy posters, and fighting for the release of ex-EDL leader Tommy Robinson …

2018-09-19T14:46:28+00:00

Unseen Dummy Award shortlist announced

Unseen Amsterdam has announced the 34 photobook dummies shortlisted for the Unseen Dummy Award 2018. Picked out from 212 submissions by a five-strong committee, the shortlist respects “a degree of rawness, including an ‘unfinished’ look and feel’, in keeping with the prize’s ethos of celebrating books-in-progress. The winner will be announced on 21 September at Unseen Amsterdam, after being picked out by an international jury including: Paul van Mameren, managing director of the award’s sponsor Lecturis; Sarah Allen, assistant curator, Tate Modern; Tim Clark, editor-in-chief and director, 1000 Words; Russet Lederman, co-founder, 10×10 Photobooks; and Małgorzata Stankiewicz, winner of the Unseen Dummy Award 2017. Stankiewicz’s winning book dummy, cry of an echo, was published by Lecturis in May. Showing the Białowieża Forest, the last remaining primeval forest in Poland, Stankiewicz used several unusual interventions when processing her images – including masking, uneven development, and even bleaching – to protest against the intensive logging which has been allowed in the forest by new legislation passed in 2016. Unseen Amsterdam takes place from 21-23 September at Westergasfabriek https://unseenamsterdam.com

2018-09-25T11:13:15+00:00

Portrait of Humanity: Richard Renaldi on the glue that binds us all together

Richard Renaldi’s photography career began with a passion for drawing. But, when his high school drawing class was full, he took photography instead; the rest is history. The medium has since become one of the great loves of his life and his vast archives have culminated in his most recent project: I Want Your Love. This new work charts the many challenges and triumphs of his life and is, in many ways, an extensive self-portrait. Having always been interested in the humanist elements of photography, Renaldi’s  earlier work is rooted in portraiture, and his desire to document the many facets of American society. His project, Touching Strangers, has become symbolic of our potential to get along, and involved Renaldi asking strangers to interact with each other physically while posing together for a portrait. We spoke to Renaldi about where the idea for this project came from, the value of this unique interaction, and how far photography can go to unify us all. Where did the idea for Touching Strangers come from? I was always interested …

2018-10-04T13:42:58+00:00

Portrait of Humanity: Veronica Sanchis Bencomo, founder of Foto Feminas, on the power of community

Meet Veronica Sanchis Bencomo, the woman behind Foto Feminas, a platform dedicated to improving the representation of female Latin American and Caribbean photographers across the globe. Growing up in Venezuela, Bencomo was always interested in Latin American photography, and particularly, in photographs by her female peers. But on moving to the UK, where she studied photography at Brighton City College, and then photojournalism at the University of Wales Trinity Saint David in Swansea, Bencomo noticed that none of these photographers had followed her across the Atlantic. Representation is everything, and throughout time, it has been notoriously difficult to penetrate the fields of art, music, and literature as a woman. Even more so if you are not from the West. For many years, Bencomo felt that the Latin American continent was too often portrayed by foreigners, and by men. “From a young age I did notice it was difficult to come across women’s works from Latin America and the Caribbean,” she says. “With Foto Feminas, my main motivation was for people to learn more about a contemporary …

2018-10-04T13:43:38+00:00

Individuality, Community, and Unity: Introducing Portrait of Humanity

As our next evolutionary step following Portrait of Britain, we are pleased to announce a global exhibition, together with Magnum Photos: Portrait of Humanity. The aim of this new initiative is to create one of the most far-reaching collaborative photography exhibitions in history. We launched Portrait of Britain two years ago, as a way to combat the divisions created by Brexit, and to build a body of work reflecting our diverse and united nation. And now, as we prepare to celebrate Portrait of Britain’s first ever book launch, we are introducing an international project to overcome our differences, transcend borders, and connect as a global community through the power of photography. “Portrait of Britain has been a phenomenon – a celebration of British culture and diversity, seen by millions of people and growing to become the most viewed photographic exhibition ever,” says Marc Hartog, CEO of 1854 Media. “Our mission now is to expand this to a global platform. Portrait of Humanity is essentially the same concept but on a global scale, asking photographers to …

2018-10-04T14:21:50+00:00

BJP Staff