Silvia Rosi and Theo Simpson have won the UK’s Jerwood/Photoworks Awards for emerging photographers. Each receives £10,000 to make new work plus an additional fund of £5000 and print support from Spectrum Photographic, plus high-profile mentoring and a two-person exhibition that will start at the Jerwood Space in January 2020 and travel throughout the UK.
Born in 1992 in Scandiano, Italy, Rosi is a Togolaise/Italian artist living and working in London. Graduating from the London College of Communication in 2016 with a BA in Photography, she makes work that references the West African studio portrait to explore her family and its experience of migration. Born in 1986 in Doncaster, Theo Simpson lives and works in Lincolnshire, UK, and has shown his work at institutions such as FOAM in Amsterdam, and Webber Gallery, London. His work considers the long game and the transformations of the globalising world, and has previously been published on bjp-online www.bjp-online.com/2017/02/theosimpson/
“It’s a bit hard to find words for this – You don’t look Native to me won the PHmuseum Women Photographers Grant,” says Maria Sturm. “I feel exponentially happy and glad to be sharing the list with other women photographers whose work I admire.”
Sturm has won the prize in a strong year for the PHmuseum Women Photographers Grant, with the 31 shortlisted photographers including Magnum Photos’ Diana Markosian, Sputnik Photos’ Karolina Gembara, and Taylor Wessing Photographic Portrait Prize-winner Alice Mann. But her long-term project You don’t look Native to me, which shows young Native Americans in Pembroke, North Carolina impressed the judges with its sensitive approach to its subjects.
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It’s free to enter, anyone from anywhere can enter, it’s helped launch photographers such as Paul Salveson, Joanna Piotrowska, and Emmanuelle Andrianjafy, and its winner is announced at Photo London and publishes a book with the prestigious MACK. It is the First Book Award, and in just eight years it’s become a firm fixture on the photobook calendar – and yet so far it’s only received 300 or so submissions per year. How come?
Well, until now MACK has organised it with the help of an international panel of nominators, meaning that only those photographers recommended by this group of curators, editors, and educators could get involved. But now all that’s changed, with the first-ever open-entry First Book Award accepting dummies from anyone who wants to submit. “One of the things we are attempting to remove is the notion that unless you’re connected, unless you’re in the know and have contacts in that sphere, you can’t go forward,” says Michael Mack, founder of MACK. “We want to discourage that idea.”
Chinese photographer Lei Lei has won the Jimei x Arles Discovery Award, giving him 200,000 RMB plus a spot in Arles’ prestigious Discovery Award exhibition and competition next summer. Born in 1985 and now living in Beijing and Los Angeles, the photographer won with the project Weekend, which uses archive images to consider history, nostalgia, and personal identity. Lei Lei’s previous projects include Hand-coloured, a joint series with French artist Thomas Sauvin which also features archive images, and which was exhibited at the Festival Images Vevey and previously published on bjp-online in December 2017.
Lei Lei was picked out from the 10 photographers shortlisted for the Discovery Award, all of whose work is currently on show in Citizen Square in Jimei, South East China. The other photographers included by the curators Dong Bingfeng, Li Jie, Chelsea Qianxi Liu, Holly Roussell and Wang Yan were: Coca Dai (1976), Hu Wei (1989), Pixy Liao (1979), Lau Wai (1982), Shao Ruilu (1993), Shen Wei (1977), Su Jiehao (1988), Wong Wingsang (1990), and Yang Wenbin (1996).
US-based photographer Anna Mia Davidson was voted as our People’s Choice Winner, after The Guardian editors picked her image as one of the best Portrait of Humanity entries so far. The image shows a farmer and her grandson harvesting flowers. Bright and rich with colour, the portrait celebrates its subjects. As with many of Davidson’s portraits, the image captures a bond – in this case, between grandmother and grandson. Family is where photography began for Davidson, whose father – a professional photographer – encouraged her interest in the medium from an early age. Davidson has published two photobooks, Cuba Black And White, an eight-year project focusing on life in Cuba during the United States’ embargo, and Human Nature: Sustainable Farming in the Pacific Northwest, a multi-year portrait project about the people behind the sustainable farming movement. Davidson’s chosen topics tend to be weighty and complex, but her photographs are optimistic, and the resounding message of her work is that crisis can be overcome by the power of community. Can you tell me about your background …
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Originally trained as a journalist, Barcelona-born Laia Abril expanded her storytelling methods after studying at New York’s ICP. She is best-known for the first chapter of her long-term project A History of Misogyny, On Abortion, which recently won the Paris Photo-Aperture Foundation PhotoBook of the Year Award and has been shortlisted for the 2019 Deutsche Börse Photography Foundation Prize
Alessandra Sanguinetti was born in New York, but grew up in Argentina, where she lived for over 30 years. She began taking pictures during her childhood holidays spent in the Pampas, which are sprawling grasslands covering much of Argentina. It was here that she undertook her first photographic project, On the Sixth Day, a documentation of farming life and the way people interact with the animals they rear for slaughter. But perhaps her best-known project is The Adventures of Guille and Belinda, a series of portraits of two young local cousins, which has expanded as the girls have got older. Sanguinetti is now preparing to judge our inaugural Portrait of Humanity award, in partnership with Magnum Photos. In this interview, she discusses some of her best-known projects, including The Adventures of Guille and Belinda, as well as what interests her about photographing youth, and why it’s important to stay true to yourself. She also offers her advice to aspiring portrait photographers, who are showing us the world through their lens. The Adventures of Guille and Belinda is probably your …
Now in its second year, the PHmuseum Women Photographer Grant has a simple premise – to recognise and award world-class photographers, who also happen to be women. Judged this year by a prestigious panel including Magnum photographer Alessandra Sanguinetti and The Photographers’ Gallery senior curator Karen McQuaid, the Grant has two main sections – The Women Photographer Grant and the New Generation Prize for those under 30 years of age. BJP takes a look at those who have made the shortlist.