In the woods and mountains of the Ozarks, Matthew Genitempo finds contemplation and solitude among people who not only escape from the everyday, but from themselves
If her images appear unsettling, that’s our own hang-ups, says Aneta Bartos, who photographed herself with her ageing father
Opening this week, a timely exhibition at the Barbican explores how masculinity has been coded and performed since the 1960s. We speak to curator Alona Pardo about destabilising and debunking the myths surrounding it.
In her debut photobook, Some Kind of Heavenly Fire, Female in Focus winner Maria Lax straddles a blurred line between familiar and foreign
Petronella Chigumbura is a member of Akashinga, an all female anti-poaching unit that operates in Zimbabwe’s Lower Zambezi ecosystem. In Shona – the native language of Zimbabwe – Akashinga means the brave ones. Many of the members are victims of sexual violence and domestic abuse, recruited by the International Anti-Poaching Foundation (IAPF), and trained rigorously to serve on Africa’s frontline against poaching.
In Catalina Martin-Chico’s World Press Photo of the Year-nominated image, former guerilla fighter Yolanda is photographed with her husband Michael in their home in the Colombian jungle. It is their sixth pregnancy, but for the first time, Yolanda will be delivering a baby.
Until three years ago, when a peace deal was signed with the Colombian government, Yolanda was a member of the country’s largest rebel group, the Revolutionary Armed Forces of Colombia (Farc). Pregnancy was forbidden, so many female members underwent abortions. Yolanda has had five abortions – her last pregnancy terminated at six months. “She feels that now, she deserves this baby,” says Martin-Chico.
The photographer and founder of Women Photograph, a platform that elevates the voices and work of women and non-binary visual storytellers, considers the homogeneity of the documentary image
“The language of photography and books is evolving rapidly,” comments Sebastian Hau, as the major book fair he co-founded, Cosmos, separates from the main programme at Les Rencontres d’Arles to return offspace
Shooting meticulously set-up still lifes on film with a large format camera, Lucas Blalock scans his images and digitally manipulates them, creating tricksy, mind-bending work that plays with the boundary between reality and fiction. Now it’s fashionable to talk about fake news, but Blalock got in early, poking holes in our trust in images.
It’s earned him an enviable career, with books published by respected outfits such as Morel Books and Self Publish, Be Happy, and solo exhibitions at private galleries such as the White Cube. Now he’s got his first solo show at a public gallery in the US, the Institute of Contemporary Art (ICA), Los Angeles, where he’s showing images made since 2014. Initially he might have seemed part of a movement, but Blalock has carved out a career on his own.
Through the weird and wonderful worlds she creates, Roy escapes the frustrations of modern existence