All posts filed under: Magnum

Portrait of Humanity: Richard Renaldi on the glue that binds us all together

Richard Renaldi’s photography career began with a passion for drawing. But, when his high school drawing class was full, he took photography instead; the rest is history. The medium has since become one of the great loves of his life and his vast archives have culminated in his most recent project: I Want Your Love. This new work charts the many challenges and triumphs of his life and is, in many ways, an extensive self-portrait. Having always been interested in the humanist elements of photography, Renaldi’s  earlier work is rooted in portraiture, and his desire to document the many facets of American society. His project, Touching Strangers, has become symbolic of our potential to get along, and involved Renaldi asking strangers to interact with each other physically while posing together for a portrait. We spoke to Renaldi about where the idea for this project came from, the value of this unique interaction, and how far photography can go to unify us all. Where did the idea for Touching Strangers come from? I was always interested …

2019-10-21T14:51:23+01:00

Antonin Kratochvil resigns from VII

A lauded photojournalist and founding member of VII Photo, Antonin Kratochvil has left the agency after a storm of controversy over his alleged sexual harassment of female photographers. Kratochvil was suspended from VII Photo in July after an investigation into sexual harassment in photojournalism by Kristen Chick was published in the Columbia Journalism Review. Chick’s lengthy article included various allegations that he had sexually harassed female members of the agency, both verbally and physically. Kratochvil has denied the accusations but, according to VII Photo, submitted his resignation to the agency on 24 August. VII Photo states that his resignation was immediately accepted, and it publicly announced his departure on 03 September. Kratochvil’s case comes hard on the heels of Patrick Witty’s departure from National Geographic, where the deputy director of photography’s inappropriate behaviour towards women photojournalists was the subject of an internal investigation. Both cases, and Chick’s article, can be seen as indicative of the soul-searching currently underway in photojournalism, a sector that even Lars Boering, managing director of World Press Photo has described as “macho”. Magnum Photos …

2018-09-14T15:19:03+01:00

Obituary: Erich Lessing, photographer, 1923-2018

“I never thought of myself as doing anything other than telling stories,” said Erich Lessing. “The camera became the medium through which I did that, but I don’t carry a camera everywhere I go. To me, it is simply the means to a very specific end. I observe the world through my eyes and not through the viewfinder of a camera. I don’t interpret, nor do I adjust anything in the dark room. I am a realistic photographer.”

They’re modest words from a man who created iconic images of the 20th century, and who was a member of Magnum Photos for well over half a century. His photographs of the Hungarian revolution in 1956 were seen around the world, as was his shot of the presentation of the Austrian State Treaty on the balcony of the Belvedere palace in front of a cheering crowd in 1955.

2018-09-07T14:07:19+01:00

How photojournalism’s biggest agencies are combating harassment

“We do see that our industry is male-dominated, world-wide – though not within NOOR,” say the photographers of the NOOR agency, via their current president Andrea Bruce. “We are encouraged by the current discussions happening throughout the photo world around abuse of power. These are sometimes painful, but necessary.” Photojournalism is still male-dominated, that much is undeniable. But does it have a macho culture, as World Press Photo’s MD Lars Boering has said? Do male photojournalists and picture editors abuse their power? And if so, what’s being done about it? In the wake of the #metoo movement, and in particular after the recent allegations against Patrick Witty, one-time deputy director of photography at National Geographic, and Antonin Kratochvil, one of the founding members of VII, these have become key questions in photography, and the big agencies are getting on board.  For David Kogan, as for Bruce, it’s a work in progress. He’s executive director of Magnum Photos, which introduced a Code of Conduct for both its photographers and staff at its last AGM in June. …

2018-09-07T14:15:13+01:00

OpenWalls Home & Away: How does sense of place impact your work?

For our very first OpenWalls award, we are inviting both emerging and established photographers, from all over the world, to submit work responding to the theme ‘Home & Away’. Up to 50 photographers will then be selected to exhibit their photographs as part of a group exhibition at Galerie Huit Arles in July 2019, to coincide with the 50th edition of Les Rencontres d’Arles. The theme of the exhibition, ‘Home & Away’, is open to interpretation. We want to see images that capture a sense of belonging, escapism or identity, and play with notions of home or freedom. Do you find your inspiration at home, by photographing your loved ones, or do you seek inspiration further afield? For one of our featured photographers, Brandon Dare, home is at the heart of all his work. “There is a lot of emotion to be found in your home environment, in one way or another,” he explains, “through the people there, or shared memories of either sad or happy times.” Brandon’s projects have so far explored a range …

2019-07-12T12:17:25+01:00

Sim Chi Yin investigates the Fallout

It’s disconcerting to think how years of work and effort, of countless hours spent practising and honing a skill, can be wrenched away from any of us in just a few minutes of misfortune. It’s also, for any of us used to good health, troubling to consider how reliant we are on the basic functionality of our bodies. A photographer, for example, needs to be able to hold a camera, to have the strength to frame a shot and time the click of the shutter in the heat of the moment. Shorn of that basic ability, what are we left with? Early one morning in May 2015, Sim had to face that exact question.

She was on assignment for a French newspaper, travelling to the Tumen Economic Development Zone, a government-owned complex of Chinese factories on the edge of the border with North Korea. Tumen employed North Korean labourers who, with state sanctioning, would be sent to live and work in the economic zone. The brief was to capture how North Korea and China trade. This place seemed like the perfect microcosm for that complex relationship – the makings of great pictures.

Entering Tumen with her driver and colleagues from Le Monde, she failed to spot a sign that read: “No smoking, photography, or practising driving”. As they approached the factories, the car passed a small group of women in black jumpsuits, knelt by the roadside picking weeds from the ground. Sitting in the driver’s seat with the window wound down, Sim instinctively raised her camera and fired off a couple of shots. “Almost immediately, the women turned around, ran towards the cab, and reached into the car,” she wrote in an article for ChinaFile, recounting events.

2018-11-23T11:53:56+01:00

Greg Halpern’s dreams of California in ZZYZX

“It’s hard to know when to stop,” says Gregory Halpern. “I remember putting my camera away on a trip home and being relieved it was out of sight. I never feel that way, so that was clearly a sign. I haven’t kept track, but I shot maybe 700 to 1000 rolls of film.”

He’s talking about ZZYZX, which he’s worked on for five years, partly supported by a Guggenheim fellowship. Shot in Southern California, starting out on the eastern fringes of the state then moving slowly westwards towards Los Angeles and the Pacific, it’s named after an ‘unincorporated community’ in the Mojave desert, and has a similar sense of the outsider. The opening picture shows a gnarled hand, with a callus on the thumb and dirt in the fingernails, outstretched to show seven stars tattooed on the palm. The next shows stark black trees in the desert in the wake of a fire.

2018-11-23T11:54:18+01:00

Magnum Photos’ international new wave of Nominees

Magnum Photos just completed its annual AGM and has announced five new photographers are to join as Nominees – Rafal Milach (Poland), Sim Chi Yin (Singapore), Lua Ribeira (Spain), Gregory Halpern (USA), and Lindokuhle Sobekwa (South Africa).

Under Magnum’s system, photographers first join as Nominees, before graduating to become Associates a couple of years later. After a spell as Associates, they then become full Members – a status which confers life-time membership of the world-famous agency. Magnum has also announced that previous Nominees Sohrab Hura (India) and Lorenzo Meloni (Italy) have become Associates.

2018-07-06T11:53:38+01:00

The 2018 edition of the Magnum Square Print Sale begins

From the 4 June, for five days only, signed or estate-stamped, museum quality 6×6” prints will be available to purchase for $100, from more than 70 Magnum photographers – each responding to the theme ‘freedom’. Fifty years ago, in 1968, the world succumbed to momentous change. It was a seismic year of deep societal and political shifts in the name of freedom. In America particularly, the civil rights movement took hold, Martin Luther King Jr. was assassinated, and anti-Vietnam war protests raged. But all over the world, international issues of freedom from oppression, freedom of speech, and political, sexual and religious freedom, also came to the fore as protests racked cities. To celebrate this year in history, the Magnum Photos June 2018 Square Print Sale is examining the very definition of freedom and its legacy. The works on sale span the last 70 years, and capture both deeply personal, and universal, notions of freedom. “Freedom is often described with big words, but we encounter it every day in the little things we do,” says Newsha …

2018-06-04T13:12:08+01:00

BJP Staff