To coincide with Portrait of Britain 2021, photographer and curator Liz Hingley discusses Side Gallery’s latest exhibition: Youth Rising in the UK, 1981-2021
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Distinct from her contemporaries, Judith Black turned her lens inwards: on her children, family and friends across the US
But Still, It Turns explores new forms of documentary photography, framing the chaotic world that surrounds us.
Presenting the first instalment of an ongoing photo-conversation, with images and words by Aaron Schuman, Vanessa Winship, Clint Woodside, Ed Templeton and Todd Hido
It’s your last chance to buy a stunning photograph, and support medics in virus-stricken Bergamo
In his latest project and soon-to-be book, George Georgiou finds anonymity and intimacy along the roadside of American parades
Built around his photographs of everyday life in his home city, Eamonn Doyle’s multisensory and expansive works show the unlimited creative power of friendship and collaboration
“Chobi Mela continues the way it began,” writes Shahidul Alam. “Unyielding to power.” He’s referencing the very first Chobi Mela festival, which opened in Dhaka, Bangladesh back in 2000. Alam and Robert Pledge had painstakingly put together an exhibition on Bangladesh’s 1971 war, which a government minister – phoning at midnight – wanted to censor; rather than comply and remove the offending prints, Alam and Pledge moved the entire exhibition to a new venue, which opened at 3pm the next day.
“That is how we’ve always done it,” writes Alam, the founder of Chobi Mela. “Against the odds, facing the storm, with the wind against our face.”
Though he doesn’t mention it outright, it’s difficult to read his comments now without also thinking of Alam’s own recent experience, in which he spent 107 days in Dhaka Central Jail last year. The 63-year old photographer and Drik Gallery director was arrested on 05 August after stating in an interview with Al Jazeera that the wave of student protests in Bangladesh last year was a reaction to government corruption. He was charged with violating Section 57 of Bangladesh’s Information and Communication Technology Act (ICT) – which has been used in more than 20 recent cases involving journalists, most of them related to news-reporting – and was held for more than 100 days.
Photo London is back at Somerset House this May for its fifth instalment, with a special exhibition of new and unseen work by this year’s Master of Photography, Stephen Shore, plus Vivian Maier, Roger Fenton, Eamonn Doyle, almost 100 galleries from 21 different countries, and a giant egg sculpture.
Known for his pioneering use of colour photography, Shore’s newest body of work will be shown for the first time in the UK at the fair, as well as a series of 60 small photographs titled Los Angeles, taken through a single day in the city in 1969. “We are honoured to present Stephen Shore as our 2019 Master of Photography,” said Photo London’s founding directors Michael Benson and Fariba Farshad. “As his recent retrospective at MOMA (New York) admirably demonstrated, Stephen is a truly pioneering photographer who has consistently pushed the boundaries of image making throughout a long and successful career.”