In an upcoming book, former Club Kid Walt Cassidy chronicles the 90s New York party scene with a curation of over 500 images by 18 artists
In the mid-1960s, a vast concrete housing estate began to rise out of a neglected marshland on the south bank of the River Thames. Headed by the Greater London Council (GLC), the scheme was seen as visionary; Thamesmead would provide a marina-esque lifestyle with plenty of greenery, and wide walkways that connected housing with schools and local amenities, all set within striking brutalist architecture. Thamesmead was to be the “town of tomorrow”.
Five years ago though, it was announced that the estate would be undergoing a huge redevelopment, and now a new book published by Here Press, titled The Town of Tomorrow: 50 years of Thamesmead, celebrates its part and present.
In 1992, thousands of New Age travellers, ravers and gypsies converged on Castlemorton Common in Worcestershire for a week-long free festival. Widely reported in the press, the event attracted an estimated 20,000 to 40,000 people and became impossible for the police to close down. Tom Hunter, then a student at the London College of Printing, was involved in the free party scene but somehow missed the event; he soon realised he’d let a seminal moment pass him by and vowed not to do so again. Castlemorton led directly to the Criminal Justice and Public Order Act 1994, however, which outlawed outdoor parties that included “sounds wholly or predominantly characterised by the emission of a succession of repetitive beats” in the UK. So, three years later, Hunter and a squad of fellow squatters were on their way to Europe in a decommissioned double-decker bus, complete with sound system and provisions. Over the ensuing months, the group travelled to folk festivals in France, hippie gatherings in Austria and beach parties in Spain, with the bus – Le Crowbar – doubling …