Born in Australia in 1978, Adam Ferguson studied photography at Griffith University. He first won recognition for his work in 2009, when his photographs of the war in Afghanistan won awards from World Press Photo and Photo District News. Since then he has worked all over the world, for clients such as The New York Times, TIME Magazine, National Geographic, The Financial Times Magazine, WaterAid, UNICEF, and Human Rights Watch. Ferguson has been nominated for the World Press Photo of the Year for his shot of Aisha, a 14-year-old girl who was kidnapped by Boko Haram and wired for a suicide bombing, but managed to escape. The image comes from a series of portraits shot on commission for The New York Times, which has been nominated in World Press Photo’s People category. BJP: Your image is very different to a hard-news style shot. Why did you choose to shoot a portrait (and in fact a series of portraits) in this way? How did you do so? Where did you take the shots, and how did you set …
This year, he says, all the images have been thoroughly checked before the shortlists have been announced, let alone the winners. “All the checking is already done – all raw files, where the images were shot, everything,” he tells BJP. “We know how important it is that everything can be trusted, and we keep asking questions until we are satisfied. We wouldn’t announce the shortlists unless we were.”
“If you are asked to think what is the photo of the year, you have to try to have something about the events of that year, and that sends you to a news or documentary photography,” says Magdalena Herrera, director of photography for Geo France and chair of the jury for the 2018 World Press Photo Contest. “But we were looking for a point of view, the photographer’s point of view. We weren’t looking for an opinion, but for images in which someone had been able to take the photographic tool to envisage their part. Even if you are a documentary photographer, you choose the moment when you take the shot. YOU are the one reporting.
Mark Power, Maisie Cousins and Adam Ferguson shed light on their unique approaches to social media