BJP-online Loves Maria Sturm’s You don’t look Native to me, Jean-Vincent Simonet’s psychedelic images of Tokyo, Roger Melis’ photographs of East Germany, Dawoud Bey’s exhibition Places in History, and the fact that MACK’s First Book Award is now open-entry
For over 40 years, American photographer Dawoud Bey has been photographing people from groups too often marginalised in the USA, seeking out stories overlooked by conventional and stereotypical portrayals.
Born and raised in New York, Bey began his career in 1975 at the age of 22. For five years he documented the neighbourhood of Harlem – where his parents grew up, and which he often visited as a child – making pictures of everyday life. This series, along with three more of his projects, is on show this month at the Stephen Bulger Gallery in Toronto, Canad
“On s’engage, on va le faire” – that is, “We’re in, we’ll do it”. The New York-based, French-Venezuelan photographer Mathieu Asselin goes back and forth from Spanish to English to French as he recalls how Sam Stourdzé, the director of the Rencontres d’Arles, enthusiastically agreed to exhibit his five-year long, research-intensive project about the US chemical corporation Monsanto. It happened a week before last year’s festival, and Asselin was then showing the dummy of his photobook, Monsanto®. A Photographic Investigation. This year the project is being shown at the Magasin Électrique at Arles, and the book has been published in French by Actes Sud, and in English by the Dortmund-based Verlag Kettler. Asselin’s project is conceived as a cautionary tale putting the spotlight on the consequences of corporate impunity, both for people and the environment. Designed by fellow countryman Ricardo Báez, a designer, curator and photobook collector who has notably worked with the Venezuelan master Paolo Gasparini, Monsanto® submerges the reader into an exposé of the corporation’s practices, whether by showing contaminated sites and the health and …
American photographer William Christenberry, best known for his evocative depictions of the Old South, has died, aged 80, following complications from a years-long battle with Alzheimer’s disease.